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	<title>Comments on: A Magic of Convenience</title>
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	<link>http://kidlit.com/2009/04/03/a-magic-of-convenience/</link>
	<description>A place for people who love, read and write children's literature.</description>
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		<title>By: Kathryn Purdie</title>
		<link>http://kidlit.com/2009/04/03/a-magic-of-convenience/comment-page-1/#comment-30469</link>
		<dc:creator>Kathryn Purdie</dc:creator>
		<pubDate>Wed, 05 Oct 2011 02:25:53 +0000</pubDate>
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		<description>I attended a workshop given by Holly Black at a writer&#039;s conference this past summer. Holly said, &quot;Magic has to have a cost,&quot; meaning that if a character exercises his/her magic, it has to cost them something, whether that&#039;s being weakened or what-have-you. This &quot;cost&quot; also helps ensure the magic in your novel isn&#039;t too convenient and further fleshes out the rules of your magical world. Great post, Mary!</description>
		<content:encoded><![CDATA[<p>I attended a workshop given by Holly Black at a writer&#8217;s conference this past summer. Holly said, &#8220;Magic has to have a cost,&#8221; meaning that if a character exercises his/her magic, it has to cost them something, whether that&#8217;s being weakened or what-have-you. This &#8220;cost&#8221; also helps ensure the magic in your novel isn&#8217;t too convenient and further fleshes out the rules of your magical world. Great post, Mary!</p>
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		<title>By: Jenn Jones</title>
		<link>http://kidlit.com/2009/04/03/a-magic-of-convenience/comment-page-1/#comment-7704</link>
		<dc:creator>Jenn Jones</dc:creator>
		<pubDate>Tue, 29 Jun 2010 14:44:04 +0000</pubDate>
		<guid isPermaLink="false">http://kidlit.com/?p=70#comment-7704</guid>
		<description>You&#039;ve got to place clues to the boundaries of magic throughout the novel, in a way that&#039;s both subtle (fully in the context of that moment, rather than obviously prepping for a future scene) but memorable enough to recall once it becomes &quot;activated.&quot; 

But oh lordy, once you&#039;ve done that, is it EVER hard to edit that manuscript. Take one interaction out, and I have to find new homes for three important tidbits of information. My next effort is going to be a LOT less intricate for that reason.</description>
		<content:encoded><![CDATA[<p>You&#8217;ve got to place clues to the boundaries of magic throughout the novel, in a way that&#8217;s both subtle (fully in the context of that moment, rather than obviously prepping for a future scene) but memorable enough to recall once it becomes &#8220;activated.&#8221; </p>
<p>But oh lordy, once you&#8217;ve done that, is it EVER hard to edit that manuscript. Take one interaction out, and I have to find new homes for three important tidbits of information. My next effort is going to be a LOT less intricate for that reason.</p>
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		<title>By: Cecily Nabors</title>
		<link>http://kidlit.com/2009/04/03/a-magic-of-convenience/comment-page-1/#comment-3259</link>
		<dc:creator>Cecily Nabors</dc:creator>
		<pubDate>Wed, 13 Jan 2010 21:06:53 +0000</pubDate>
		<guid isPermaLink="false">http://kidlit.com/?p=70#comment-3259</guid>
		<description>I&#039;m new to this site, and have been happily dabbling around in the dazzling display of good advice and insightful comments. This blog struck a chord.  I&#039;ve written an MG novel about a boy who has two ESP powers. He sees auras and has visions, which are essential to the plot.  Believe me, my critique group has made certain that I thought out and clarified the up-front rules of his ESP!  It&#039;s one of the great virtues of a critique group:  the members are quick to point out any anomalies or machinations the writer has used, instead of preparing the ground with care, thus making the outcome inevitable rather than contrived.</description>
		<content:encoded><![CDATA[<p>I&#8217;m new to this site, and have been happily dabbling around in the dazzling display of good advice and insightful comments. This blog struck a chord.  I&#8217;ve written an MG novel about a boy who has two ESP powers. He sees auras and has visions, which are essential to the plot.  Believe me, my critique group has made certain that I thought out and clarified the up-front rules of his ESP!  It&#8217;s one of the great virtues of a critique group:  the members are quick to point out any anomalies or machinations the writer has used, instead of preparing the ground with care, thus making the outcome inevitable rather than contrived.</p>
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		<title>By: Kidlit.com &#183; Aaand&#8230; Action! How to Write An Action Sequence</title>
		<link>http://kidlit.com/2009/04/03/a-magic-of-convenience/comment-page-1/#comment-48</link>
		<dc:creator>Kidlit.com &#183; Aaand&#8230; Action! How to Write An Action Sequence</dc:creator>
		<pubDate>Mon, 27 Apr 2009 22:49:07 +0000</pubDate>
		<guid isPermaLink="false">http://kidlit.com/?p=70#comment-48</guid>
		<description>[...] action sequence, characters should still act and speak like themselves. They should not develop any surprising but convenient powers or skills in the heat of the [...]</description>
		<content:encoded><![CDATA[<p>[...] action sequence, characters should still act and speak like themselves. They should not develop any surprising but convenient powers or skills in the heat of the [...]</p>
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