The old cliche is that, when two people have nothing better to talk about or they’re too awkward to talk about something real, they talk about the weather. Why do so many manuscripts, then, start with… descriptions of the weather?
I should hope that, if you’ve decided to write an entire manuscript, you’ve got better things to talk about than the weather and you’re not feeling too awkward to say them.
Think about it. (Yes, I am reading contest submissions right now. Yes, every other entry for the last 50 or so has mentioned some kind of weather in the first paragraph. No, I am not automatically dismissing these entries, though the author is putting themselves at a bit of a disadvantage. No, this isn’t unusual compared to the slush I usually get. No, you probably shouldn’t start a manuscript like this.)
Tags: Contest, Description, Slush
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The first draft of my ms started with a description of a beautiful summer evening. I think that happens because we’re trying to set the scene, the mood, etc. And it’s a pretty common technique in the classics, so if one’s read a lot of classics, it’s natural to begin that way; but as I’ve been told many times, modern readers want an immediate “hook.” Everybody’s seen lovely summer evenings before; they read a book to experience something new.
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I try to avoid starting the story with a dream or waking up. I’ve tried that beginning time and time again, but I’ve always been happier if I went back and started out somewhere else.
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HOLY COW!
I am so glad that I managed to not get under your skin by starting of with a weather technique! LOL. Hopefully, I didn’t get under your skin in another way, or else I should be hiding my head in shame…
I teach 4th grade writing and some of my favorite beginnings are “Once upon a time…” or “Hi. My name is…” or “Would you like me to tell you a story?” -
Believe it or not, there are still some writing books out there that suggest starting with the weather. I teach writing to primary grades, and I use the Lucy Caukins books (which I love). But there’s a whole lesson in there about using the weather to make a good beginning.
It’s okay in a primary writer, maybe…but I’d say use it as filler to get yourself started. Then come back and make it something people want to read!
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Before you drop your weather opening, ask yourself why you began it that way. Is it critical to the story? For example, if your story is a Man vs. Nature tale, then maybe the weather isn’t inappropriate. If you were L. Frank Baum, would you drop the twister?
Most likely what is happening here is that the author is doing some throat-clearing, getting into her story by the means of setting the physical scene. It’s likely you can cut most of your opening, whether it’s about the weather or some other noodling like character descriptions. Richard Peck (iirc) says he always cuts the first chapter off his early drafts in revisions and begins his novels at chapter two. -
I think at least 90% of the stories I wrote as a kid and as a teenager started with weather. You’re right, it’s the easy way out. “It was a sunny summer day” meant that things were happy and ordinary before the conflict, and “There was a lightning storm outside” meant we were in for a dark story. Funny how that goes. I’ve since learned better opening techniques, thankfully.
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I just started a very well-reviewed adult book last night that began “It was going to be a beautiful day.” That was as far as I got. Back to the library it goes (if I had paid for it, I would have given it a little more time).
As an unpublished writer, I could never get away with beginning a book in such a banal way. I don’t know how published authors do…
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Oh crap. I just checked. There IS a weather reference in my opening lines. Guess I’m one ‘a those…:)
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Okay, maybe-maybe not. Just a suggestion…
Perhaps you could post a few beginnings with some fauxs that turn you off, in general…
I know it wasn’t specifically stated in the contest posts that you’d do this, so you’d probably have to go back to the originator to see if it’d be okay. But I think this would be as helpful as posting the winners.
Possibly? Give it some thought?
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Hmm, I think this may also be because the first thing most people do when getting up in the morning is check the weather–at least I do, always. So it may be natural to start with the weather. But as Donald Maass says (I’m paraphrasing) weather is just…weather, unless it adds to the conflict of the scene, if the character is dying in the desert for example and there’s a rainstorm on the horizon.
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Thank you for that link to your December post. I’d missed that one. It has some great suggestions.
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It reminds me of once when my boyfriend tried to start a conversation about what we’d eaten that day (long distance relationship). I put my foot down and said no way was I resorting to listing my meals to fill time.
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Gayleen,
I smiled when I read your comment. I’m in Oklahoma too. It’s true, the wind does come sweeping down the plain…and so does ice, sleet, snow,rain, tornadoes and then sweltering heat. Ah, the weather.
Hey Tamara, my mom does the same thing. When my husband is out-of-town she asks me if I asked him about the weather???
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Someone mentioned L. Frank Baum - but The Wizard of Oz doesn’t start with the tornado - it starts with how gray Kansas is (the book’s not in the computer room, so I can’t quote directly). The tornado comes after the beginning!
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Dickens would begin some of his many stories with a “weather report” (Little Dorrit) others of them not. Hard to judge then, from his works, which is the better literary way to go when beginning a story but then again, who could be compared to Charles?
I only know that with PB’s weather is never interesting. What gets me, more so then a description of the sky or the sea’s, is finding out a story is all just a dream. It deflates me and takes all the magic out everything.
PB’s are suppose to be fun, different then an average day in a childs life. To tie a story all up together by saying it was just a dream deflates the adventure. -
Hmmm . . . I love it when movie directors start movies with a sweeping panoramic: the Austrian countryside, New York at night, a dark suburban neighborhood, etc. Often the panoramic is heavily focused on the weather. Other directors sort of force you to stalk and hunt down a story before it can become the focus of the movie. Gus Van Sant did this well in the movie Elephant.
Why doesn’t this technique work in books?
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To decide what to put into a beginning you must ask yourself, ‘Is it relevant to the story?’ If the answer is, ‘No’, get rid of it. If the answer is, ‘Yes’ then we proceed to ‘Is it something the reader has to know at this point in the story?’ It may be better coming in later.
We have a saying down in Aus, “Murder your darlings” which means that in the re-writing process, no matter how lovingly created and crafted something is, if it’s not relevant to the story, Delete! (Of course, we can always create a special folder and call it: ‘Murdered Darlings that May Come Back to Life’). Nothing goes to waste!
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Some of the best info I’ve read on successful/unsuccessful openings and first pages are these posts at Anne Mini’s Author Author blog. (Anne is a writer and an editor.)
The second link below is packed with info, but the first link has a long list of openings/first pages that were frowned upon when critiqued by an Idol-style agent panel.
http://www.annemini.com/?p=2158
http://www.annemini.com/index.php?s=agent+panel+and+first+pages
(As always, love your blog, Mary : )

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