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About Me

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It’s my absolute pleasure to introduce you to baby Theo, born March 11th. We’re doing really well as a new family and he is loving all of his wonderful books. He’s especially a big fan of Oliver Jeffers so far, from what I can tell. Or maybe I’m just projecting. :)

Theo’s entrance was a whirlwind. He was born about three and a half hours after we got to the hospital. He’s now smiling, eating, sleeping, and going through diapers like he owns Pampers stock. We just put his newborn clothes away because they got too small. There’s this little rhinoceros onesie that made me cry as I packed it up. I can’t believe I’ll never see this kid in it again! I can’t wait for him to grow and learn and become his own little person, but I don’t want him to age another minute. He has already gained three pounds since birth. Oy!

Spring has sprung in Minneapolis, finally, and I’ve been taking him on walks around our lake with our two dogs in tow. They are fiercely protective of their little brother, and can’t wait to be his best friends for life, once he’s more able to play.

My freelance editorial business is still up and running, in case you’ve been curious about my services. I have been working from home since 2005, so I’m always working, and never working at the same time. Other freelancers will know what I mean! It’s a juggling act but I am more than used to it.

Life is great! Some of you probably read my post about the journey to get here. I’m happy to report that it was all worth it, and that I’d do it all again tomorrow because motherhood has brought me so much* already in these five short weeks. Thank you to everyone here for your support and good wishes. Back to our scheduled programming next week!

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* everything but sleep!

Photos by Brooke Ringdahl.

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Awaiting Baby

Thank you to everyone for the amazing response about the baby news! (See the original announcement here, I posted about it in December.) In addition to the glorious books that rained down on Baby Macdonald, which I will speak to in a moment, I also heard from a lot of people who have walked their own complicated paths toward their family goals. This is exactly why I have no problem talking about the IVF process. Too often, people who struggle can’t help but feel alone, whether it’s because they feel ashamed about their problems, or others have made them feel that way. This is horrible. We all have our crosses to bear, and yet there’s great strength in community. None of us are truly alone if we choose not to be, and I’m really glad I decided to speak up.

Human connection is one of the great joys of life, and it was a real honor to hear from my blog readers who have done fertility treatments, who’ve adopted, who’ve lost pregnancies and children, or who still haven’t reached their desired destinations. It was incredibly touching to share in such intimate stories with my readers.

As for the books, oh the books! My husband, Todd, and I were moved to tears by the generosity and love pouring in from you blog readers. We stuffed Baby’s bookshelf twice over! My favorite part, however, was hearing from readers. One sent me something that I’d originally seen as part of a Writer’s Digest webinar critique. That little manuscript went on to sell at auction, and a few years later, there it was on my doorstep as a published book, complete with an inscription to Baby. Talk about coming full circle! Another package arrived from a very well-established author who I have long, long, long admired, with an incredibly touching note. I had no idea this author was one of my readers!

To all of you who sent books, I have done my best to send a handwritten Thank You card. Some Amazon deliveries would only let me send a digital Thank You where I couldn’t find a return address (ugh, so impersonal!). There were also a few packages where I accidentally discarded the return label before I had a chance to note who was responsible for what. If the wonderful readers who sent me IVAN THE TERRIER, ALL THE WORLD, and LITTLE GREEN would please email me, I’d love your address so I can send a proper note of gratitude. If you sent something and also haven’t heard back with a card, please let me know.

Now I’m in the home stretch, only a week away from our due date. I have no idea when the baby will start the eviction process. It could be today (!!!). It could be three weeks from now. (Oh, how I hope it’s not three weeks from now, though.) All this is to say that the blog will go a little silent for the next two weeks. But I’ll be back with an update once there’s something to share. Coming back to this blog after taking a hiatus in 2015 has been one of my great joys, so don’t worry, I won’t leave you hanging for too long!

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Building a Library

Over the years, I have shared a lot of personal stuff with you, my dear writer-readers. Pets, tattoos, moves to Brooklyn, moves from Brooklyn, moves back to Brooklyn, and finally from Brooklyn for good (oy!). I mean, I still have people ask me about Sushi, a beloved cat I lost in 2011. It’s really been an honor to show up at the keyboard and share a bit of myself, a bit of my ideas, and a lot of my heart with you every week or so.

Now it’s time for me to reveal a very exciting personal development. Don’t worry, I’m still writing here. (They can wrench this domain name from my shriveled hands in 50 years!) I’m still working with my stable of amazing freelance editorial clients, and I couldn’t be happier. But in 2016, my family is finally growing with the addition of a baby in March! The gender will be a surprise.

announcementThis news is incredible for my husband and I, because of the road we took to get here. Everyone has struggles, and this was, unfortunately, one of ours. I have wanted to be a mother for as long as I can remember. Growing up an immigrant only child in a single-parent household was very lonely, and I always imagined that I’d one day fill my home with children, the more the merrier! But then we wandered into what I can only call hell: infertility.

I have made many lifestyle changes over the years to put my health first. I’m pretty young. I’m motivated. Every single time we failed to conceive, it felt like an incredible failure of body and spirit. When infertility is suspected, the burden usually falls on the woman because a whole lot more can go “wrong” in our systems as far as reproduction is concerned. There’s basically one test for men, while women sometimes spend years investigating the equipment. Every month, I sunk into a despair that words can’t exactly describe. This went on for two and a half years. That may seem like a blip. But when a child is what you want most in the world, and deep in your heart is the fear that you may never get to have that irreplaceable human experience, time almost seems to move backward. And since all of our tests came back perfectly normal, we didn’t even have a good explanation, which was maddening.

After cycling through half a dozen doctors (“You’re young! Just keep trying! Are you sure you’re doing it right?”), tens of thousands of dollars of tests, kits, and procedures (insurance becomes real scarce as soon as they hear “infertility”), acupuncture, therapy, yoga, even chakra-alignment (I’m from San Francisco, guys, and I was desperate…), we finally washed like ragged castaways on the shores of a fertility clinic. There, they administered an easy $300 test that nobody else would do because failing it was so unlikely. And we finally had our answer: my husband has a fluke sperm issue, so rare it doesn’t have a name, and so significant that we literally have a 0.0% chance of conceiving naturally. What are the odds!

That was the best/worst appointment of my life. The best, because we finally had closure, and a game plan. Luckily, IVF and a related procedure (ICSI) are made for exactly this scenario. The worst, because don’t nobody tell me I have a 0.0% chance at anything! Unfortunately, this one was bigger than my stubbornness. And it turned out that we tried for those two and a half years completely in vain. This was a tough pill to swallow. On the bright side, we ended up doing IVF in June, had a brilliant response, and I got a positive pregnancy test on my birthday in July!

Now, as I near the third trimester, we feel so lucky. I mean, infertility was basically the worst thing I’ve ever been through, and I’m still grieving the fact that, whenever we want to have a child, we have to roll up to a clinic with our wallets open instead of doing it the old-fashioned way. In fact, because I’ve had such stunningly bad results, I no longer believe that babies happen after unprotected sex! :) But there are those who have much more complex issues, who struggle for much longer. Our one IVF cycle (costing as much as a new car out of pocket), believe it or not, was pretty much the best case scenario in the advanced reproductive technology big leagues. (Most insurance counts infertility treatments as non-essential, sort of like a boob job, unless you have a great plan. But my husband is a small business owner and I’m a freelancer, so we pay handsomely for our minimal coverage.)

Now that I have that off my chest, I really waffled about writing this next part of the post. I’ve always seen my role in your lives as a guide and friend. It feels wrong to ask for anything in return because of the rich personal rewards that my work brings me every day. But I’m humbly reaching out to you now with a request:

Books are why we’re all here. And I would love to welcome our baby with a library of classic and contemporary children’s books that builds on what I’ve collected over my career. With IVF and my husband’s dream of opening a restaurant coming true this year, we simply can’t feather our literary nest. I want to flood this child’s life with love and beauty and letters. I want to greet them with good vibes (and good books) from the community I’ve created. This baby has been the dream of my heart for as long as I can remember, and now he or she is finally coming. If you have any new or pre-loved books, for any childhood stage, that you’re compelled to send along to us, it would mean the absolute world. I would personally be so grateful. Please write a note inside so that you can become a part of our story.

(I’ve removed the address here because it was for a temporary mailbox. If you are still interested in sending something, please email me at mary@kidlit.com. Thank you!)

If material things, well, aren’t your thing, I was recently reminded by a freelance editorial client of my passion for the work of the Make-A-Wish Foundation, where I used to volunteer while living in San Francisco. I just started training as a volunteer for the Minnesota chapter. Already, this baby has inspired so much positive change and hope in our lives. In the same spirit, maybe he or she will inspire you as we head into the holiday season, to share some joy with a few extra hearts. You can find Make-A-Wish volunteer information and links to your local chapter here.

ETA: Because somebody asked, you can find our baby registry here.

Also, I feel obligated to add that, while many options for growing a family exist, I felt very strongly, being an immigrant with only three living blood relatives in this or any other country, that I wanted to try for biological children. It’s a deeply sacred, personal choice that every aspiring parent makes differently. For example, newborn adoption costs about as much as a round of IVF (or more) and there’s a lengthy approval process that could’ve added years to our journey.

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I don’t really talk a lot about my personal life on here. Sure, I talk a lot about my thoughts on writing, and little anecdotes sneak through as I’m discussing various concepts. But it’s not like I’m on here spilling my guts about what goes on at home. However, since this is a week for gratitude and family, I wanted to share that I got married in October to a great guy named Todd who I’ve known since 2011. We met in our Brooklyn neighborhood of Carroll Gardens, and it turned out that we’d been living just a block away from one another for years! The night our paths crossed, I was coming home from the tremendous Writing and Illustrating for Young Readers conference in Utah, so I have them to thank!

Todd is a very talented chef, and in 2013, we moved back to his hometown of Minneapolis to buy a house, start a family, and open a restaurant. We bought our own slice of south Minneapolis in July, and are still working on the other two. 😉 We got married October 11th, 2014 down in New Orleans, one of our very favorite cities in the entire world. The whole thing was such a blast, and I’m very excited that the excellent photographer Sarah Becker Lillard was able to capture our day. You can see her blog post with some favorite shots here.

So far, 2014 has been the best year of my life personally, and professionally as well. I am wrapping up my busiest months as a freelance editor and novel coach. I’m very grateful to all of my clients for allowing me to come into their writing journeys, guide them, and get to know their work. I’m currently considering expanding my business to add some different services that writers have shown a lot of interest in. Stay tuned for that!

This week, I’d love to thank everyone reading this for your support. It has been an amazing journey to be able to bring you this blog for going on five years now. Wow! Have a wonderful holiday with your loved ones, and I’ll be doing the same over here. It’s such an amazing gift that we have all been brought together by the love of story and the written word. Thank you, thank you, thank you!

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Moving!

No, I’m not off to another state this time. Todd and I are happy in Minnesota. We are, however, gluttons for punishment, so less than a year after moving here, we bought a house and are moving again! This time, I hope, the time between moves will be more like ten years instead of ten months. So pardon the interruption in our regularly scheduled programming, I’ll be schlepping my boxes around and giving our we-hardly-knew-ye apartment a good cleaning. Talk to you again next Monday, when hopefully we will have our Internet all set up, and will have won some sort of Crate and Barrel mystery contest where they just decide to give us one of everything.

A girl can dream…

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A wise man once said that the only constant is change. I didn’t know WHICH wise man said that, actually, so I Googled it. Turns out it’s a guy named Heraclitus, a Greek philosopher. Man, those guys got all the wisdom. Well, I could use some of that wisdom now as I spring yet another big Mary Kole move on my unsuspecting blog readers. (It’s not true that all of you are unsuspecting, I’ve been getting emails from some of you because I recently got listed as “Whereabouts Unknown” on QueryTracker.com. That’s a bit funny to hear about yourself from your couch in Brooklyn, where you definitely know you’re sitting at the moment. But I digress…)

From my silence here and in Publisher’s Marketplace, you probably have guessed that something is up. It is. After a great year with Movable Type, I have decided to get out of the literary agenting game. It has been a great six years since I first set out into the sparkly and dizzying world of the literary agent, from my first internship as a reader to my position as a Senior Literary Manager with a list of over twenty clients. In the last year or so, I have been finding increasing satisfaction in being a freelance editor. Working with writers one-on-one was and always has been my first love. All of my various roles in publishing, from conference presenter to negotiator, have fallen flat compared to that creative and satisfying calling of digging into a manuscript. Don’t get me wrong. Seeing a book on a store shelf that you have shepherded from its first draft is an indescribable feeling. But that work of honing the manuscript, that relationship I developed with its creator, those have almost always been more precious to me behind the scenes.

I want more time to do that. To roll up my sleeves and get into the nitty gritty with individual writers. I also want a sense of security and calm that a commission-based agenting job just can’t provide. I want to open a manuscript and focus on how to make it better instead of focusing on “Will this sell? And for how much? And what about my rent?” That probably takes some of the mystique out of literary agents for you, and for that I apologize, but it’s not the easiest way to make a living. And that’s especially unfortunate, since you are leading a portfolio of talented artists who count on you for their living, also. Freelance editing has allowed me to free myself up to once again function purely for the love of working with their manuscripts. What a wonderful feeling!

There are also some other big changes afoot. If any of you have been following the murky (I was aiming more for “mysterious” but so it goes!) details of my personal life, I’ve been rather taken with a certain man for a while. He’s a handsome and talented chef, and he’s pretty taken with me, too. It has always been his dream to move to his hometown and open a restaurant. Since I’m in the process of fixing up my own life to make my literary dreams come true, it’s only fair that we make his dream come true, too. In a few short weeks, in the dog days of August, my fiancé and I are relocating to Minneapolis. I’ve been studying wine on the sly for a year and a half and recently passed my Certified Sommelier exam with the Court of Master Sommeliers. When I’m not editing, we’ll be working together on bringing his vision to life. I couldn’t be prouder or more honored to be a part of that.

As for you, my faithful followers, I just want to express my undying gratitude. This doesn’t mean I’ll be shilling my editorial services every five minutes. Or talking about my book more than I have been. I’m looking forward to the pleasure of getting back into strict craft discussion here once a week going forward. After this move, I’ll have all of the pieces of my new life finally in place. Then the real work of serving the worldwide kidlit community–and the hungry local community–begins. Whew! I’ve never chosen the easy road but it’s the only thing I know. Thanks for sticking with me.

In the meantime, though, moving is expensive so…didya know that I now offer freelance editing services? :)

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I have been a terrible blogger for the past two months. With some life obligations taking my attention, more freelance clients, and starting a round of professional development classes for the hell of it, I have heaped much more on my plate than I can chew. Lesson learned. (Or is it? I’m still one of those optimistic people who keeps waiting for life to get less busy. “Maybe it will slow down come summer? Christmas vacation? This weekend? Never? Okay, never sounds about right.” Ha!)

Like the broken human robot that I am, taking on too many things at once has tanked my resolve to update the blog. (For a comedic explanation of what happens when I overload myself with too much, click here.) This is not good. This blog has known me longer than most boyfriends I’ve ever had, and it’s a source of great joy and satisfaction for me. It’s also, from what I hear, helpful to writers and a trusted source of valuable information.

So to ease back into posting, I’m giving myself this one as a freebie to reintroduce myself and, I suppose, confirm to my loyal readers and visitors that I’m not dead under a pile of manuscripts somewhere in Brooklyn. I’m also announcing (read: this is for me, not you) that I will now reduce my frequency of posts to once a week, probably on Mondays. That’s a little crappier than my lofty twice-weekly goals but I’d rather have one post once a week than no posts for months and then an apology.

Next week, I will do another Critique Connection to freshen up the pool of available manuscripts and critique partners. Then it will be back to business as usual! Feel free to email me (see sidebar) with your questions in the meantime!

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Welcome back from the holidays! Was your break as relaxing and wonderful as mine? I hope so. It really was a Christmas and New Years for the ages. But now it’s back to work. Speaking of work, I’m offering something new: paid editorial critique and consulting services.

In the fall, right before my book came out, I had a few writers email me to ask whether or not I offered paid critique services. It’s something I’ve always considered doing but the timing never seemed right. As is, I do critiques for my Writer’s Digest webinars, for various conferences, and for my clients (in good faith, without charging a fee) on a regular basis. It’s my favorite part of the job, hands down. I love story, I love craft, and I love rolling my sleeves up and getting into the nitty gritty of a piece of writing, whether it’s a pitch letter, a 10-page sample, a picture book, or a novel. I have a very specific set of skills, some in-depth market insight, and context that many writers have found valuable over the years. This is just another avenue that lets me do what I’m honest-to-goodness passionate about.

It’s gratifying to help aspiring authors get to the next level and I know there are a lot of people out there who want professional help to reach their next writing milestone. After getting some inquiries and taking on a few trial editing jobs, I decided to take the plunge and offer my services officially. You can check out my new website here for more information, including packages offered, rates, and submission information. My main focus so far has been full manuscript edits, which are very time-intensive but also utterly gratifying, but I offer options for picture book writers, query letters, first pages, etc. etc. etc.

I’ve always been very honest and that’s not going to change. I can completely understand why some people have issues with agents or in-house editors pursuing editorial work on the side, just like I understand people having issues with the recent trend of agencies publishing client books in digital form. As a result, I know this won’t be for everyone and that’s perfectly fine. For those who are curious, I’m making every effort to keep the line between my agenting work and my editing work clear. I have the full support of Movable Type, and the conviction that my existing and future agenting clients always come first. My customers sign an agreement that says I will not offer literary representation on any project that I’ve edited, though I could happily recommend it to colleagues if it strikes me as a fit. If you’ve been looking for an editor but don’t want any conflict of interest, email me for the names of several outstanding freelance recommendations with no current agency or publisher affiliation.

It’s four years into my agenting career and I’ve sold many books, published my own book on the writing craft, traveled the world, and fulfilled a lot of personal and professional dreams. I’ve also made some publishing dreams come true for writers, and that is a feeling that never gets old. I have a submission pile that I’m actively hunting through, a full list of clients and projects, some time on my hands, and a commission-only job that pays unpredictably (yes, everything from a love of editing to boring practicalities played a role in this decision).

It’s a new year and, finally, the timing is right.

If you’re interested in my services, please check out my freelance editing website. I won’t be pitching you hard on this blog to give me your money going forward, don’t worry. But I’m here if you’re interested, and I’m genuinely excited to help writers who are looking for a very qualified pair of eyes and some honest and proactive feedback.

Back to our regular programming on Monday! And, for the love of Gertie, if anybody spots a typo in this post announcing my editing services, please do the humane thing and don’t tell me about it. :)

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As of today, I am officially a Senior Literary Manager and the head of Picture Books, Middle Grade, and Young Adult at Movable Type Management! This is a wonderful new opportunity for me and I’m leaving with the full support of the Andrea Brown Literary Agency, which has been my foundation and professional home for the past three and a half years. A huge thank you to my family of former colleagues: Andrea, Laura, Caryn, Jen, Jenn, Kelly, Jennifer, Taryn, and Lara. I’ve learned so much from this amazing team of women–truly among the best in the children’s book business. I have been blessed and am so grateful to have had my start at such an amazing place.

Being in such an enviable position, however, raises its own set of questions: Where can I go from here? What’s the future of publishing and agenting? Where do I fit into the brave new world of books and content and digital? As many of you know, I spent the first six years of my professional life working at a start-up that went on to sell to Google. I grew up in the Silicon Valley. There’s a rebellious and entrepreneurial streak in my blood.

Even though I’d found a wonderful place to work, I caught myself yearning to learn more about some other elements of publishing–namely digital books and packaging–because I believe they will become more and more important in the future. I wanted to amass new skills and explore what another agency is doing–both for my future as an agent and to provide new opportunities for my clients. I wanted my years of experience as a dot.com-er to dovetail with my passion for children’s books. I wanted more of that start-up feeling in my life.

It has been an absolute joy to learn from the very best, but I know that there is no reward without risk. Now it’s time for me to evolve and join a new and like-minded team at Movable Type, a small, nimble, and entrepreneurial agency. So here’s to my new colleagues: Jason Allen Ashlock, Adam Chromy, Jamie Brenner, and Michele Matrichiani. There are so many possibilities out there in today’s publishing world, and I want to learn about them and make them happen for my clients. Plus, I want to grow! I can’t describe to you the thrill of starting a department, enriching my relationships with the children’s publishing business, finding new clients, and truly being responsible for my own enterprise within an agency. This is the kind of leadership role that I’ve been dreaming about and I couldn’t be more excited to get started.

This transition may come as a surprise to some of you. It certainly did to me when I found myself seriously considering walking away from the Andrea Brown Literary Agency. But this is the right choice, and I’m thrilled to also have the full support of my client list! That vote of confidence means the world. These last few weeks have been extremely fraught and bittersweet. There were lots of tears, but they’ve all been tears of gratitude. I am completely indebted to my colleagues, past and present, my friends, my family, my clients, my blog readers, and everyone else who has stood by me and decided to go along for the ride. As I wrote in the acknowledgments for my book: “Y’all know me–and you love me anyway!”

Now. Nitty gritty. The blog and my work for Writer’s Digest will not change. Neither will my availability for conferences and events. I’ll still write posts here every Monday and Wednesday. I’ll still teach webinars (including a children’s market overview this Thursday at 1 p.m. Eastern, click here for more information). I’ll still hang out on Twitter and Facebook. If I still owe you a Writer’s Digest critique or a response to a manuscript or query, you will still get it as soon as possible. I still have all of your submissions and correspondence.

Now, though, you can query me at Movable Type! At Andrea Brown, you had to choose from one of nine wonderful agents. In my new role, I’ll be the only one seeing the children’s queries, focusing on picture books, middle grade, and young adult. We are still tweaking the MTM website, but my new email is up and running. It’s MKole@MovableTM.com! My submission guidelines remain the same as they were at ABLA: I want to see your query letter and the first 10 pages of your novel submission or full picture book text copied and pasted into the body of your email. The word “Query” should appear somewhere in your subject line. No attachments please (illustrators send a link to an online portfolio) and no snail mail.

Thank you all for your support and I can’t wait to see what I can do over at Movable Type. I hope to see your submissions pouring in soon so that I can start my new job off with a bang!

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This question comes from PK, who asked it during my Franco-Italian blog break:

In terms of agenting, would an agent of awesomesauce-ness like yourself consider taking on a project they didn’t necessarily love, but thought they could sell? Or vice versa? Or does it just depend on the agent?

I didn’t just pick this question because I was described as an “agent of awesomesauce-ness,” promise. This is actually an issue that I struggle a lot with. There are lots of things that I haven’t gone for that have gone on to sell. I rejected them even though I knew they had a possibility of selling. Do I wish I’d gotten some of those commissions? Sure. Especially when those books go on to do well in the marketplace or receive continued enthusiasm from their publishers. Do I live with myself regardless? Of course. I’ve long ago made it a goal to have no regrets.

Here’s how I see it: If I go into a project thinking, “This is commercial crap but I think it will sell and so I’ll offer,” my head and heart are going to be in a different place. I’ll never bond with the project–or the author–in the same way as I do with those projects and authors of mine that I love unconditionally for their creativity, artistry, and merit. And if I see flaws in the project, even before I go on sale with it, I bet some of those editors that I’ve pitched will be thinking, just like I was, “This is some Grade A commercial crap and I don’t really want to publish it.” The difference, of course, is that publishers are looking to make money and the editor may make a “go” of the acquisition anyway, even with a fluffier book that is mostly meant to generate revenue or capitalize on a trend, and my “I think I can sell this” prediction comes true. But it’s not the same as championing a more “long shot” project successfully, or seeing a book that you’re head-over-heels with come to fruition. And you better believe that when an editor gushes about a project to friends and booksellers, it won’t be BEACH BLANKET BONANZA, or whatever. It’ll be one of the books that they acquired out of love, not money.

Maybe that’s what could eventually drive me out of the agent game, but I have to fall in love with a project. I can’t do the “this is crap but it will sell” thing. This question made me think of that scene in Love, Actually (please forgive me), when aging rock star Billy Mack is recording a shameless moneygrab single, turns to his manager, and says, “This is shit, isn’t it.” His manager replies, “Yep. Solid gold shit.” But who wants to have shit on their record, at the end of the day? I know I can’t feast on my principles or use them to pay my bills, but for now, I know what love feels like with a project, and that’s what I’m chasing. It’s very hard to find, but nothing really measures up to when you do.

The truth is, I’ve tried taking on projects like this, that I thought were a good bet to sell and that I wouldn’t mind representing. Maybe I’m just a really bad judge of what’s commercial, but they never went anywhere. Maybe it was the project. Maybe it was a saturated market. Maybe it was a downturn in the really fluffy/paperback original/beach read sector that went the way of the chick lit. The fact is, I know what happens when I go to sell a love project, and I know what happens when I go to sell a commercial-but-I-can-live-with-it project. I’d much rather spend my time on the former.

Plus, I’m building relationships with clients that I hope will last across multiple books. I have high standards for my authors and illustrators, and I love watching them work and grow. If I take you on with only mild enthusiasm for you and your work because I’ve got dollar signs in my eyes, I worry it will be a false type of relationship from the get-go, and that’s not particularly fair for either of us.

There are plenty of great projects that go on to get published without my help–most books on shelves fall into the category, actually! And I’m happy to let them go. Not all things are for me. Not all things are awesomesauce enough for me to want to read them five or seven times (as I’ve read some client projects over the course of multiple revisions). Not all things are going to inspire me to an enthusiastic pitch. Not all things are going to connect with my target editors like I want them to. And maybe I’m just one of those people who has to have love at the expense of commerce. Of course, the best of both worlds is to have a book I’m desperately in love with that goes super huge in the marketplace. I’m happy to report that this feels really good, also!

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