My fantastic client Josh Ferrin designed an incredible new header image for the blog. It is so awesome! I am so happy. Leave your header love in the comments.
You can see more from Josh at his website.
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My fantastic client Josh Ferrin designed an incredible new header image for the blog. It is so awesome! I am so happy. Leave your header love in the comments.
You can see more from Josh at his website.
Tags: Etc.
ETA after reading comments: If you’re happy to blog, please do it. This post is geared mostly to people who are on the fence and who are feeling pressure to start a blog because they hear that’s what they’re supposed to do. The tone of this question is usually, “Do I have to blog?” I’ve changed the title to reflect the framing.
This is a question that comes up a lot at conferences and from people who email me. It’s the familiar scenario: You’re an unpublished writer chasing publication. You don’t have a book or a deal to blog about yet, but you’ve heard that writers need platform and Internet presence, and you’ve heard that blogs get you friends and traffic and riches and unicorns, and you’ve also heard about this Twitter thing. Yet it sounds overwhelming. And you wonder if you have enough to blog about. You wonder if you have the time to keep up with all these things.
But the online writing community you see other unpublished writers enjoying keeps bugging you — You have to blog! You have to Tweet! You have to Facebook!
What do you do?
I’m going to say, probably, the exact opposite of what you’d expect. See, I’m a person who blogs. And I have a Twitter. And I’m on Facebook. I also grew up in the Silicon Valley and worked for a bunch of Internet start-ups before I got involved in publishing. You think I’d be totally into unpublished writers blogging, Tweeting, flickring, Buzzing, Facebooking, and all that. Right?
Wrong.
I never look at the blogs of people who query me unless they can give me some kind of impressive fact, like “30,000 people visit this blog per month” or “I draw a daily web cartoon and have a following” or “I’ve created an interactive game that you can play” or whatever.
If you’re iffy on blogging and worry, already, that you’ll run out of material, I say don’t do it. There are too many bad blogs, blogs about people’s cats (I swore I would never blog about my cat…then she got sick and I freaked out and I blogged…at every conference I attend, people still ask me about my cat!), blogs about their word count for the day and what book they’re reading, blogs by people who think they need a blog. Don’t add one more to the pile. Blogs without good, useful information or blogs by a clearly reluctant author are the worst.
The thing about blogs is that they’re a living thing. Blogs take your most recent entry and post it first. For the savvy, content-rich blog, that’s great. For the reluctant blog, that’s bad. Readers can log on and see the exact date when you lost your zest for blogging or ran out of content. And I’d say that a blog last updated in September 2009 is worse than no blog at all. It makes you seem out-of-date, irrelevant…maybe even dead. (Old blogs frozen in time are almost creepy.)
Fiction writers don’t need to pay attention to that whole “You have to have a platform” myth as much as nonfiction writers do. If you’re writing a novel or a picture book…what is your platform? That you like writing and you’re writing a novel or a picture book. Just like all the other writers out there. Unless you happen to be an expert in a subject matter that plays into your fiction, or you’re some other kind of professional writer who is crossing over, you’re not going to have any more platform than that.
The reason why I’m so negative about unpublished writers blogging and Tweeting is that it’s usually not good content. If there’s one thing I’ve learned about the Internet from actually working for it for all those years, it’s that users come to the Internet to see, “What’s in it for me?” They want valuable content that speaks to them. They Google: “How do I get this stain out of my white carpet?” “Is it okay that my baby is turning sort of purple?” (It’s probably not.) “How do I stop the hiccups?” “What’s a great summer BBQ recipe?”
Most writing blogs — and most blogs in general — are about the writer of the blog, not about the user. I have a blog, but you’ll notice that I try to keep myself and my life out of it (and I was doing a dang good job until my cat got sick!). I want to use this space to give you valuable content, because I know that’s what people want from me. At the end of the day, they have their own cats to worry about, but they would like some writing and publishing advice.
Unpublished writing blogs do one positive thing, usually: they foster community among other unpublished writers. You can come gripe about rejections, brag about word count, share your successes and frustrations and make friends. While that’s nice for you, it has little value to an agent or editor (and not all of us feel this way, so please take this as my opinion) who comes to visit. Unpublished writers also write about writing in their blog, and that may attract other unpublished writers, but it does have a limited reach. Published writers who write about writing usually attract a wider audience, as they have perceived authority.
If you have a blog where you can give people really valuable content, tips, and things to make their lives better (or at least to give them good cocktail party conversation), do it. If you are just thinking of blogging because everyone else does it or you heard that agents won’t consider you unless you have a blog, don’t.
Plus, Web 2.0 (social networking) is a time suck. You can go pretty far down the rabbit hole with Tweets and Facebook updates. Then you lose sight of the thing that’s really going to get you published: writing.
Focus on your writing. And if you feel the need to be online, which you should, at least in some small way, put up a simple three page site: main landing page with info about your work, about you page, contact page. That’s it, and it should be cheap to make a page that actually looks good and professional.
Once you’re under contract with a publisher, of course, everything changes. You’ll have stuff to say. You’ll have a book to sell. You’ll have events to publicize. You’ll have readers who want to know more about you. For now, though, don’t bow to the peer pressure if you really don’t feel comfortable blogging or Tweeting or Facebooking.
Tags: Etc.
This is a notice to any people who are emailing me or any of the Andrea Brown agents, or if you’ve tried to email us since yesterday. It seems that our andreabrownlit.com email addresses are not working for the moment. We are troubleshooting the issue and hope to have them back up soon.
If anybody needs me for business issues, in the meantime, please use my mary (at) kidlit (dot) com email address.
Also, I have caught up with queries as of midnight, July 12th, as far as I know. If you have not heard back on a query sent before midnight, July 12th, or if you have sent a query since then, please resend to the above address.
Tags: Etc.
I had reader Dave write in and ask about the market for short story collections. This is a popular form of writing, whether you want to do a short story collection that features a lot of disparate work or a linked short story collection that tells one cohesive narrative over the scope of the manuscript.
It is arduous to break into publishing with a traditional novel as your debut. It would be exponentially more difficult with a short story collection. When we go to meetings with editors to discuss their tastes and acquisition needs, short story collections have almost never come up, except for in the sense of, “Please don’t send me any.”
There is an interesting new series coming out from Balzer + Bray and Walden Pond…the GUYS READ anthologies, edited by Jon Scieszka. I’ve read the first one, the humor anthology, that comes out this fall, and it does indeed feature a handful of short stories meant to be consumed in 20 minutes each and to encourage reluctant readers. I’m very curious to see how this line of anthologies does since, yes, short stories are more accessible to some readers, and they do have a place in the school curriculum.
But for someone who wants to sell to a wider market, for the trade, I would say that placing a debut manuscript that’s a short story collection would be extremely difficult. And, you know what? I’m perfectly fine with saying that something isn’t my specialty and that I wouldn’t be a good advocate for certain projects. This is definitely the case here.
I can’t dissuade any writer, obviously, and certain writers may find a home with a more curriculum-oriented publisher, but I wouldn’t represent a short story collection unless it was just the most brilliant thing I’d ever read, and then I’d probably ask if the author could turn it into a novel.
There are lots of other markets for short stories, though, from curriculum-based publishers to magazines. A lot of the time, the novel premises or picture book texts I receive read more like short stories than stories that deserve a longer execution. I know that’s not what any short story writer wants to hear, but there are lots of avenues that might not be trade publishers.
Tags: Etc.
A reader asked about what a writer should do if they happen to get offers of representation from multiple agents. First of all, congratulations are in order. An offer of representation is professional validation to a writer who has, most likely, not really gotten such praise and confidence from an expert source. A lot of writers, though, think this is an embarrassment of riches and a great problem to have. It’s not. It’s a really stressful situation where you have to make a major business decision under time pressure, all while being wooed by really nice, really encouraging, really savvy people.
When you first get an offer of representation (see a previous post on this topic), send an email to all the other agents who have your partial or full. More often than not, in today’s really busy climate, you’ll probably get another offer by doing this. Agents want the hot commodity and will likely chase a writer they know already has an offer — that means someone else thinks they’re good, too! (Occasional truth: some busy agents screen their slush pile by focusing on the writers who email to say they’ve gotten offers…that way the agent knows which projects are worth reading.)
So now you, the writer, have multiple offers of representation. The first one feels great. The second one starts to feel confusing. By the third, you’re queasy. Who to choose? They all love your book, or should. If you get a lukewarm offer, that person is just playing the game, most likely, and can be cut from consideration. They all have editorial advice. They all have enthusiasm for you and your career. Well, what now?
Talk to each of the agents. Get a feel for their passion level and for their ideas for the manuscript. Try not to let the gushing or hype or big promises go to your head, even though it’s hard. What do you want as a writer? An agent for the long-term or for just this project? An agent who gives editorial notes or one who is more hands off? An agent who communicates openly or who just gives you the verdict after the submission round is over? An agent who communicates by phone or by email? An agent who does small, careful submission rounds and waits to hear editor feedback or an agent who submits you all over town in a huge, splashy round?
You are hiring this person. Let your needs and your feelings and your understanding of what’s right for you guide your questions. Good questions to ask:
As about your agent’s path to becoming an agent, where they see themselves going, what their hopes are for your project. Ask them for client references if you think talking to one of their existing clients will help you. This definitely helped me eliminate a few agents when I was in these shoes.
From an agent’s perspective, this is our time to feel you out, too. How open are you to our editorial ideas? (I will often give three big ideas but save most of my editorial notes for later. I don’t want to overwhelm the writer but I also don’t want to give them some of my best ideas in case they go elsewhere with their project but still use my notes.) How savvy are you (in terms of being part of the publishing scene, having an online presence, knowing how the business works)? Do you have stars in your eyes or are you realistic about the marketplace and about how much work it is to be a published author? What are your career goals? How high-maintenance or easygoing are you and how easily would we work together?
The question you’re seeking to answer, as a writer, and the question I’m seeking to answer, as an agent, is this: Would we have a long-term, profitable, communicative, respectful, productive business partnership?
Now, this is a difficult question to answer. It comes down to a combination of gut feeling and your impressions of an agent and their prestige and record. You can check an agent’s sales in Publishers Marketplace. For $20 a month, month-to-month, you have access to a deals database that is pretty comprehensive (some deals aren’t posted there for various reasons, but you do get a pretty good picture) for each agent and agency. Agency reputation is really important. Has the agent’s agency been around for long? Have they brought many books to market? Are they known for the genre or age range for which you want to write? Publishing is a business of relationships and reputation.
You also need to take the agent’s rank into consideration — are they a newer agent with the agency or pretty senior in the organization? How long have they been agenting? There are pros and cons for a younger agent vs. an established agent, and I think that will be my next post.
Of course, if you ever have multiple offers from agents and I am one of them, you go with me, obviously.
But very seriously, this is a big decision. And multiple offers from agents are becoming more and more common, from what I’m noticing (a post on this later, as well). For every writer in this position, I just want to say: this is your decision. Take your time and don’t be afraid to ask questions. Agents are intimidating to a lot of writers but, at this level, you really are in control. Use it.
Tags: Etc.
Hey all, here’s my post from Tuesday, edited with today’s information:
My query critique sold over the weekend (to fabulous blog reader Marybk, who got it for herself as a Mother’s Day present! Yay!). I’m so thrilled to be able to help (with your help, of course) the flood victims in Tennessee.
Next up from me is a full manuscript critique that you can bid on until midnight, central time today: Do the Write Thing for Nashville. (Direct link to the item here.)
This opportunity includes:
My critiques are in-depth and thorough, as many readers would know from the workshop series I did on the blog a few months ago. Now imagine that for your whole manuscript! Plus, I don’t know you personally and have no other goal beside making your manuscript the strongest it can be, so you’ll get honest, professional, constructive, helpful feedback that’s not sugarcoated. I want you to grow as a writer and really get to that next level.
So head on over to the blog and bid on my full manuscript critique. You have until midnight Central time today to bid. I’m so grateful to all the people who are bidding over there and changing lives with their generous donations!
Check in with the blog tomorrow for the promised BIG NEWS!
Tags: Etc.
My favorite thing about children’s publishing is that it’s really a community, above all. I don’t know of a more supportive, loving and nourishing group of people, and I’m so happy to be a part of it.
Every now and then, members of our community, friends, and colleagues come together to mount a truly heroic effort in the face of disaster. My client, Amanda Morgan, and a group of other writers (including the fabulous Victoria Schwab) have witnessed the flood devastation in central Tennessee firsthand…and they’re doing something about it.
These wonderful ladies — with donations from many people — are putting on an auction over the next few days. You can check it out here:
Blog: Do the Write Thing for Nashville
Facebook: Do the Write Thing for Nashville
How it works:
Exciting book/publishing/writing-related items are posted every day and interested parties have exactly three days to bid in the blog comments to win the item they want. The highest amount bid by someone in comments wins the auction item. The winner pays by PayPal, gets a receipt for their taxes and receives the critique, book, phone call, or whatever, that they bid on. All auction proceeds go to the Community Foundation of Central Tennessee to provide disaster relief.
Here’s where I’m hoping you come in.
I have donated the following items and they will become available over the course of the auction:
My auction items will become available over the next several days. If you love Kidlit, if you’ve ever wanted to be critiqued by me, if you want a really in-depth look at your manuscript, if you’ve got some spare tax refund cash lying around, even if you’ve never heard of me but love to help people in need…please bid generously to support the writing community and the greater community of central Tennessee.
So check out the Do the Write Thing for Nashville Facebook page and blog to see if you can bid on a critique from me or any of the other fantastic items generously donated by my colleagues in publishing. I can’t wait to see all the good we can do together. Now go and bid on something, the first items have just been listed. None of my items have popped up yet, but keep checking back, and bid on some other goodies in the meantime.
To all the writers who blog and Tweet and Facebook and post on Verla Kay and Absolute Write: please get the word out about this auction and about the items I’m offering (not in an annoying, spammy way, though, please). Even if you can’t bid on an item, lend a helping hand by spreading the word!
Tags: Etc., Writer Friends
In much more fantastic news, Kidlit has been picked as one of the Writer’s Digest 101 Best Websites for Writers. I’m one of 5 agent blogs chosen for this honor! My readers are a huge part of this success, and I want to thank you all so much!
Here’s a link to the announcement on Chuck Sambuchino’s blog. You can also see it on newsstands in the May/June issue of Writer’s Digest.

Tags: Etc.
I am using up a valuable Monday post to make sure you all are reading and checking the Critique Connection post. There are about 90 people on there who are looking to find a good critique partner. It’s overwhelming, I know, but read through them. And let me know if anything you find through that venue works out!
Speaking of overwhelming, my schedule has been INSANE. I’ve loved meeting all of the blog readers (and welcoming any new ones!) I met these last two weeks. However, three consecutive weekends of travel (NYC, Dallas and Reno/Tahoe) have really taken their toll. I’ll be back with a new post on Wednesday.
Tags: Etc.
Sorry folks, but I can’t come up with a post in time today. I’ve got an airport to get to and no wifi on the plane. Not even my new iPad can stand up to those odds.
Boo! Hiss!
The good news is, today I’m heading to Dallas for the DFW Writers’ Workshop! By a stroke of good luck, I seem to have lots and lots of readers who are coming to this conference and I’m excited to meet them. And have them take me out to get some ribs. *wink wink, hint hint*
Yay! Woo!
This is a good time to post any of your burning writing or publishing questions in the comments. I have plenty to write about in the coming weeks but I love to check in from time to time and see what y’all (getting into the Texas spirit, don’t mess with me…) want to know right this minute.
Tags: Conferences, Etc.
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