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Review: Silver Phoenix

April 29, 2009 in Reviews | 2 comments

by Cindy Pon
Young Adult, 352 pages.
Greenwillow, HarperTeen (2009)
ISBN: 978-0061730214

No suitor wants seventeen year-old Ai Ling because they think her father betrayed the Emperor many years ago. This great agony turns out to be her greatest gift. When her father disappears, she’s free to go after him, armed with the necklace she gave her when she was just a little girl: a jade pendant bearing the symbol for “Spirit.”

On her journey, Ai Ling meets brothers Chen Yong and the hilarious Li Rong. The further she journeys to find her father, the more she’s aware that her pendant seems to awaken powers in herself. She can project her spirit into another’s body and hear their thoughts, she also enjoys bursts of warrior strength when she’s in danger. Oh yes, and she’s become somewhat of an evil magnet, with every being in Chinese folklore out to get her. Will she reach the imperial palace where her father is being held hostage? Will she take the one suitor who’s been waiting to have her for centuries to save her family?

The lush plot of SILVER PHOENIX is hard to articulate here. There are imaginative monsters, family lore and danger at every turn. Through it all, Ai Ling and Chen Yong do battle, deveop deep and truthful feelings for each other and feast on lavishly described meals. Have enough bloggers mentioned that this novel makes you a hunger fiend for delicious Chinese food? (Here and here, for example.) I was reading it last night with one hand on the phone, ready for Cindy Pon to somehow communicate to me, through code in the prose, that it was okay to order something for delivery.

It turns out that Ai Ling’s powers and destiny come from the fact that she was a woman called Silver Phoenix in an earlier life. She must channel these powers near the end to overcome her greatest foe yet, but not without sacrifice. I would have loved even more emphasis on the Silver Phoenix storyline as it leads up to the climax. However, I would not change a thing about the last chapter. No matter how much glorious food there is in this novel, Cindy Pon does not let Ai Ling have her cake and eat it, too. Ai Ling triumphs over most things, but Cindy refuses to let her enjoy the romantic happy ending that most authors would’ve included. That choice made the entire book resonate more strongly with me.

If you want adventure, a great balance of tidy writing and exciting story, and a protagonist who has her strength tested in fantastic ways but learns a very real lesson about herself, check out SILVER PHOENIX — which came out yesterday. Pick up a copy for yourself and one for a friend at your favorite indie bookstore!

For Readers: A blazingly fast read that would be especially exciting for girls who like fantasy with strong character and great writing. This could even be a hit with boys who want a relatively familiar world but with a girl protagonist. While some of the conflicts can seem repetitive (monster, slay, repeat) there is great emotional content here as Cindy explores family, love and loss. I’m very, very glad that I stayed up (way too late) reading this in one enormous gulp!

For Writers: I’ve mentioned Cidny’s balancing act already but I think it bears repeating: there is a very pleasing mix here of prose and action, plot and world, love and duty, growth and obstacle. One of my favorite things about this book was the rich world-building that Cindy managed. She rendered the world in a very distinctive style, like one of her gorgeous brush paintings. And the best part about it was that, once she did this, she didn’t have to spend hardly any time at all to introduce new towns, new people, new creatures. All of these things seemed to evolve very naturally. If you’re building a world of any kind, read this book to see what total and effortless immersion feels like. The ancient Chinese landscape is such a fascinating setting, also, because of all the fantastical animals and folklore she gets to play around with. Bravo!

As some of you might know, Cindy is a great friend and resource to many in the online kidlit community. You can check out her website here and follow her on Twitter: @cindypon. She’s one of the warmest and most radiant debut writers and I couldn’t be happier for her!

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A Magic of Convenience

April 3, 2009 in Revision | 2 comments

There are tons and tons of manuscripts out there whose main characters have magic powers. I’m not knocking that, no way! My manuscripts have the occasional magical MC. The more I read, though, the more a strange habit rears its little head. I have committed this sin before, so I can totally empathize. But let’s honestly lay it out there: sometimes, our characters’ magic powers are a little too, er, convenient to be believable.

This issue has to do with how well a fantasy (or magical realism) world is defined. Read on!

Every once in a while, I encounter a manuscript that goes like this:

Lizzie’s powers were absolutely ineffective against the charm-locked door. Not even her Open Sesame spell could break the lock. Conveniently, any wizard of the Caldecott Bloodline, which Lizzie just happened to be a descendant of, could breeze right through. Luckily I remembered that! Saved me a lot of trouble, Lizzie thought as she jumped through the enchanted doorway.

This is, obviously, an exaggeration. But note a few things here. First, we go from a situation with tension and potential danger (a door locked by magic) to a situation with no tension whatsoever. Instead of making it hard for the character, instead of making the character work, the author (in this case, me) has given the MC an easy way out. Also, every time you catch yourself using words like “conveniently” or “luckily” or “just happened to…,” take another look at the structure of your scene. See if you can’t scare up some more danger or tension.

Some much wiser writer once said that the crux of good fiction is getting a character in trouble, getting them in deeper trouble, then getting them in the deepest trouble of their life. There are too many manuscripts where the character’s magic helps them out right when they should be getting into trouble instead.

Like I mentioned above, this is a rules and boundaries issue. Every time you have fantasy/magic/magical realism in a manuscript, you’ve got to set rules and boundaries for how the fantastical elements function. When can a power be used? When can’t it be used?

Sometimes an author will pull a character out of danger in a very convenient way. Other times, the author will land a character in the very lap of danger by convenient means instead of raising stakes realistically. Neither is a good strategy. An example of the latter:

Our valiant hero, Lizzie, squinted up at the cave opening. She was trapped so far down in this underground hole that she thought she’d never get out. Then she remembered her super pole-vaulting superpower! She readied her pole and prepared to vault when her shoulder grazed part of the cave wall. Oh, no! Was this limestone? Her grandmother had repeatedly told her, when she was a child, that only limestone would make her pole-vaulting magic fizzle. Lizzie was stuck again and the leprechauns could be heard drawing ever closer!

Next time you work with fantasy or magical powers, make sure you’re not doing anything for the sake of writerly laziness or convenience. Outline the rules and set boundaries for the magic throughout the manuscript. Ideally, once the character gets in a certain situation, the reader will already know the limits of their magic.

Introducing a new rule about magic right when the main character can either benefit or suffer from that rule is not usually a very provocative technique.

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