A cheeky little bugger wrote into the blog, basically answering his own question:
So, is anyone ever able to quit their day job after selling their first MG or chapter book? I need a reality check.
Gladly! Here it is:
No. Not even close. Keep your day job. If your day job makes you miserable, get a better one. Only 3-5% of published writers make a living on their published writing income (advances and royalties) alone*.
Some YA writers can quit their day jobs after a major sale/auction (though I still don’t know if I would advise this) because, if it’s going to get big, YA money tends to be bigger than MG, chapter book, early reader or picture book money. But even with YA, it’s rare that an author can quit their day job after their first book sells. It’s even more rare that all this wonderful stuff happens with a debut creator.
That said, most writers do end up making a career and an income with their writing, just not by publishing books alone. They teach workshops, they teach at a school or university, they freelance for newspapers and magazines, they write nonfiction, they copywrite, they edit, they tutor…there are lots of trades that use a writer’s skillset.
More often than not in today’s publishing world, I see people who have fingers in lots of different pies and who cobble together a cohesive livelihood from lots of separate but related income streams. And not just writers or illustrators do this. I know of agents who freelance edit and editors who teach classes on the side, too. I think this is smart, actually. With multiple income streams, you face less risk of your only cash flow drying up.
Not everyone has the temperament to freelance or to multitask like this, though. There are also a lot of writers who hold down full-time or part-time desk jobs and have a steady income (plus health insurance!) while they publish their work.
But in terms of scoring that big book deal and quitting the day job the next day…that’s not just magical realism or fantasy, that’s high fantasy. (Consider this: after your initial deal is struck, your editor and agent can sometimes spend months negotiating the finer points of your contract…then it might spend months getting drawn up by the contracts department…then it’ll go to accounting and it’ll take more months, in the worst case, to get your signing check. What’s a signing check? Sometimes it’ll be 50% of your advance (less your agent’s 15%, of course) but, these days, more often than not, your publisher has structured payouts so that you’ll only get a third or a quarter of your money upon signing the contract. On the other hand, the glacial pace at which publishing moves does mean you’ll have a lot of time to grovel your way back into your former-but-soon-to-be-again employer’s good graces after you impulsively quit!)
I’m always on the side of cautious optimism, so I urge you all to have a stable source of income, even when you do end up selling your work. And, seriously, if your’e doing something that you hate for a salary, do something else. You never know how long you’ll need it.
* Updated 8/18/2011: From Stephen King’s On Writing, page 238. Thanks so much for finding this, Garbo!
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Tags: Fantasy
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The writers I know are so dedicated to their art…working in the wee hours of the morning or night to get another chapter done while balancing the rest of life.
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Even though I know this, my husband asks me all the time “So, how much will you make if you get published?” and I tell him “We’ll be filthy rich,” to which he replies “Carry on. . . ”
Otherwise, he might tell me to focus more on my day job. Poo. Who wants to hear that?
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Golly, I sure wish someone would have mentioned this to me sooner. There goes my five year plan. I suppose I better cancel the start date for the mansion construction.
Seriously, if you want instant fame and fortune, writing isn’t the place to find it. Writing isn’t a get-rich-quick kind of thing. It’s not even a get-rich-slow kind of thing. It’s more of a get-a-bit-of-money-to-help-pay-the-bills-if-you’re-lucky-enough-to-get-a-contract kind of thing.
Thanks for the reality check even though it doesn’t pay as much as I’d like. =)
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jmartin- but if a lot of underpaid debut writers went in on the timeshare, they could maybe get A pony, right? I mean, a how much can a miniature one eat? : )
Mary, thanks for the numbers. It’s interesting how few people realize that a contract does not equal instant fortune. I was actually surprised (in a good way) that the number of authors living off their books alone is as high as it is.
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Yeah, but what about us teachers? We love our jobs. But the income is replaceable by, like, a garage sale.
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I’ve often thought about this realty check and have known I’d have to keep my career as an attorney as well as write. Like you say, there are too many uncertainties if you need to support a family. And health insurance is a big benefit of a job. I’m glad to see that agents understand this reality and will hopefully one day help me to juggle two demanding jobs.
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Great ideas on things authors can do to supplement their income.
I think it’s funny how people kind of assume that once an author is published, they’re automatically rolling in money. I’m friends with enough authors to understand that the big, big deals are hard to come by, especially in the world of children’s writing, or small press publishing. But it never fails that whenever my family brings up my writing, they get starry eyed and act like I’m going to get millions right out of the gate.
I suppose I should be grateful that they have so much faith in me. Either that, or they’re all hoping I’ll buy them new cars for Christmas. Or a vacation house in Hawaii. I hope they’ll survive with a copy of my book instead.
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Great reality check and good overall advice. I’m not sure where people get the idea authors are living the good life, clearly someone’s done some good PR.
Writing is a job. If you enjoy writing it’s a good job, but it’s still a job.
I think people got the idea writing was something of a wealthy man’s profession in the days before computers made working from home a realistic possibility for many people. Writers were one of the few jobs you could, and usually did, away from the office or factory.
But that doesn’t mean it’s easy money.
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Oh, but I would love to do nothing but write and revise!
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Thanks for keeping us grounded. I hear this mantra fairly often, whether at conferences, Twitter, or in the blogosphere. Too many folks still think they can hit the mother lode but that just doesn’t exist. So much of this is dependent on your CONTINUED writing and producing quality writing people will buy. Writing isn’t for wimps!
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When I was an undergrad, I used to say that I wanted a Nobel Prize and a Pulitzer (I was an English/Bio double major). Now, I just want health insurance and a book in the store with my name on the cover.
There will be some serious happy-dance going on if I work my way to that second goal, even if writing is always a “second job.” -
Let’s assume I someday am fortunate enough to get this first book published. I know I won’t make enough to quit my teaching job (and let’s face it, I wouldn’t want to). The thing that scares me, though, is the expectations of how quickly I should be able to produce a second or third book. I know an agent needs a writer to get something else ready in a timely-enough manner that the agent can make some money too. But since the teaching job is the one that pays the bills, it has to take priority. How much time are agents generally willing to give someone to get a second manuscript ready?
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I retired from my marketing job at a telecom company to focus on my personal writing. A month later the economy turned and I took a job as a copywriter and editor for a web publishing company. But, I can now say I make my living as a writer, even though the salary is less than half of what I used to make. I supplement with freelance writing and workshops.
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This is the best reality check I’ve seen. Because it is not only a reality check, it tells a writer how they *can* make a living while writing.
*I saw that statistic somewhere recently too! I checked, but couldn’t find it.
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