Some writers send me (and other agents) messages I like to call “prequeries.” They go something like this:
Hi! I have a project and it seems just like something you might like. It’s about… (brief description) and I’m all done with it. I’d love to submit. Are you accepting submissions? Should I go ahead and submit?
This is a useless email and one I’m not fond of answering. If I wasn’t accepting submissions, my email address wouldn’t be plastered all over the Internet. And I can’t tell anything about the project until I read the writing, so I don’t know if I’ll like it or not just for a few lines of description.
The Andrea Brown submission guidelines are quite easy to find online. We request the query letter and the first 10 pages of prose (or the full picture book manuscript) copied and pasted into the body of an email message. It’s very easy stuff.
So if you’re on the fence about submitting, maybe go back and revise a few times. If you don’t know whether or not I’ll like something, you really can’t tell that for sure without showing me your submission.
All I’m ever going to say in response to a prequery is: “Sure, send it along and follow our submission guidelines!” So let’s cut out the needless back and forth. Submit away!
Tags: Slush
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Also, you shouldn’t prequery an agent’s clients.
Don’t find the client’s email address on their website and send them a quick note asking if you should query their agent. She’s my agent because I think she’s a badass–yes query her and let her decide.
Don’t abuse the twitter DM system by sending the client a 140 character description of your book for me to ask my agent about. I followed you because I thought you’d be interesting, not annoying.
Don’t (for the love of cheese) search the entire internet, for a client’s cell phone number and call them to ask about their agent’s submission guidelines. How the helldamncrap did you find my phone number anyway? I’ve been trying to recreate that google search for weeks.
Don’t email your book to the client and ask if they would forward it on to their agent.
Don’t pin down the client at a writer’s meeting and ask them if they’d “prime” your agent for you. That’s just creepy–and possibly a little dirty.
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Jamie, yikes!! That’s GAWDawful.
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Mary, way too kind to these people. There should at least be a four-letter word in that response.
Jamie - super awkward…
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I can’t imagine someone asking you if you accept submissions, because you’re pretty open about it lol. But, some agents are a little more vague, so I can see someone being trying to be polite and prequerying. However, I totally agree, it seems like an extra, wasteful step.
Jamie- I’ve got this idea…Do you mind talking to Mary about it for me??? Please???
bwahahahaaha
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Jamie, wow. So it’s not just Mary who gets stalked, but her clients too! It’s tough being one of the cool kidlit crowd!
Seriously, though, that does sound awful. Awful because you want to be available for genuinely interested readers/fans to be able to contact you, but not so you can be hassled by complete strangers with only their own interests at heart.
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Okay, I have a question. It feels like the answer should be really obvious, but it’s been confusing me. When an agent asks for the first 10 pages (or the first 3, or 50) do they mean 8.5″x11″ pages or “book” pages? Because there’s a big difference in word count there. :/
Thanks for this blog, Mary. It has been so helpful, and I never comment to say so. (I’ll have to change that.) -
You know it’s funny a friend of mine just ask me if they should email an agent first before sending them a submission. I told them absolutely not. I told them the best thing to do is follow the agency’s sub guidelines and if they wanted to do a bit more research to look up the agency/agent in the 2010 edition of guide to literary agents.
Now, I’ll send them along a link to this blog post too.
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I’ve reached out to an agent’s client before, but not to indirectly query. Just to talk shop and find out their experiences. That’s freaky, Jamie. Especially the cell phone thing. Next it will be picture book bunnies boiling on the stove. . .
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Jamie - So the Valentine’s candy Bongo sent was creepy, too?
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Anita, copy/paste the 10 pages into the body of the email, single spaced, but double space between paragraphs.
Like this.
Melody, the agent typically is asking for the first 10 manuscript pages. Don’t get hung up on little details, like if your sample is actually 8 pages, or 13 pages. Anywhere within the ballpark will do fine.
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Jamie - I think Bongo should sic one of his chinchillas on the weirdo.
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Jamie, icky experiences. Although hopefully it was only one deranged individual who couldn’t take “no stalking” for an answer.
Mary, I have prequeried agents before, but I hope my situation was a little different. Agents can be very vague about what constitutes a chapter book. When they say, “I accept PB, MG and YA,” that doesn’t always mean they will consider a chapter book. It also doesn’t mean they won’t. Likewise, I’ve found agents who claim to rep “all genres of juvenile lit,” who really don’t include chapter books in that all-encompassing definition.
If an agent isn’t clear on his/her definitions/preferences, I will send a short email along these lines: “I noted in your guidelines that you consider PB, MG and YA. Would this include a 12,000 word chapter book?”
I’ve had enough no resonses to validate the wisdom of doing this. I think in the end, I’ve wasted less time–mine and the agent’s–with this method.
Is this an acceptable prequery?
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Mary, as always, thanks for sharing your experiences.
Like Cat, I wonder about the acceptability of emails for clarification purposes. For example, if it is unclear whether or not an agent represents rhyming PB’s, is it OK to email and ask? Or is inquiring actually a bigger bother than submitting something that doesn’t suit?


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