A big part of my job when I work with clients on writing revision is to help them see their manuscripts as I see them. And what I see, a lot of the time, is opportunity to tighten the overall prose. One subtle function of wanting to pare down (other than overwriting, which we discussed in last week’s post), is noticing when you’re including filler.
Some Information is Implied
Whenever you’re working with first person or close third POV, it is understood that your protagonist (or POV character) is narrating the scene. They are your lens, in effect. Especially in first person, as a few cases can be made to the contrary in third.
The Filler Example
Here’s a stuffed sentence that would benefit from some streamlining in the writing revision process:
She noticed a man sitting in a forlorn stall in a far corner of the bazaar. She saw his downtrodden expression and heard what could’ve only been a sigh issuing from his lips.
It’s assumed that the main character is there, seeing and hearing everything, in order to relay it back to the reader. Technically, they can’t narrate what they haven’t become aware of in the first place, yanno?
There are three instances of filler here. “She noticed,” “she saw,” and “she heard.” We simply don’t need this. Don’t waste time narrating that, oh yeah, your character who’s been hearing and seeing everything that’s been described in the book so far has also seen and heard this. That’s beyond implied.
Cleaner, Tighter Example — Post Writing Revision
A man sat in a forlorn stall in a far corner of the bazaar. He wore a downtrodden expression and issued what could’ve only been a sigh.
I’ll be the absolute first to tell you that this is an extremely nitpicky note. “Why does it matter whether or not I cut SIX WORDS from this description? It’s six words!” Or 18% of the sample in question. I know that rewriting sentences to trim filler isn’t going to be necessary 100% of the time. But if you cut even 9% or even 4.5% out of a manuscript that people say is running too lengthy at 100,000 words, that’s 18,000, 9,000 or 4,500 words, respectively!
Little Things Make a Big Difference
Rewriting sentences with the goal of trimming and tightening is worth it. The perceived difference to the reader (how quickly the pacing moves, how smoothly the descriptions read, how efficiently we get from scene to scene) will be worth much more than the actual number of words you’ve trimmed. And remember: it’s more productive to think about how to edit writing once you have that complete first draft under your belt.
Hire my editing services and I’ll help you trim filler from your manuscript.