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Writing Bravely: The Last Threshold

Here’s a post by Mary-the-Writer about writing bravely and giving yourself permission to write. I’ve written a lot of manuscripts in the pursuit of my craft. Each has been better than the last one and I have no doubt I can tell a story, but there’s a threshold in my way that I’m always grappling with. It’s the hardest, most menacing final hurdle, and I haven’t hopped over it yet, as my work remains unpublished.

writing bravely, permission to write
Write what you can’t. Write what you’ve been afraid to write this entire time. Writing bravely means you’ll cross the threshold to more authentic, vibrant writing.

Permission to Write: Developing Authentic Voice Requires Patience

My struggle is voice. A voice that’s believable, that changes, that evolves and reeks of humanity. Because that’s what is necessary in today’s market. And my biggest problem is impatience. I want to publish a book and I want to do it right now. But things don’t work that way. In my pursuit of the manuscript “just good enough for someone to publish it already!!!” I’ve been turning out lazy, one-dimensional, generic writing. Some writers, those trained in a critique group and a writer workshop, will automatically move to pat me on the knee and whisper that no, it’s actually very good and that I shouldn’t say that, and that I’m being self-critical, and blah blah blah. But compliments don’t help a person improve. They’re the last things you’ll remember, after you process all the real, honest and challenging advice you get.

Writing Bravely: Are You Playing it Safe?

In the pursuit of the book that’s good enough, I haven’t written a book that’s alive. Something with a pulse. Something that has the “x factor” to succeed. (Hint: the “x factor” in any manuscript is voice.) Not yet. That’s what I finally have to tackle (in all my “spare” time, ha!). And the painful funny thing is, I’ve known it all along. In my rush to write and revise, I’ve known that these manuscripts haven’t been my absolute best work. A long time ago, in college, I figured out that my lazy try was better than some people’s absolute best writing. That’s the moment when I decided to play it safe. I know I’m not alone in this.

People have a tendency to stop short of doing their best. It’s a self-defense mechanism. If they don’t write the things they really want, if they don’t give themselves permission to write bravely, then the failure they’re imagining (and will most likely experience) can’t hurt them that deeply. Criticism slides right off, because they have a dirty little secret: this wasn’t the real try anyway (here are some tips for how to deal with negative criticism).

Writing Isn’t Supposed to be Easy

But here’s the cold, hard reality. If want to do it well, if you to get published, writing is hard.

So I’m throwing in the towel on my lazy attitude these days. It’s childish, it’s self-defeatist and it’s the last great threshold in my writing life. I’m finally giving myself permission to write bravely. Is there anybody out there with me who’ll do the same? Have I hit upon anybody else’s dirty little secret? Good.

Here’s my advice to those writing what’s just good enough.

Write what you can’t. Write what you’ve been afraid to write this entire time.

Writing Bravely Will Carry You Over That Last Threshold

I’m done with writing safe, bloodless manuscripts that get me nowhere. Just like any writer, I’ve faced a lot of rejection. But I’m grateful for it, so thank you to all the editors who haven’t published me yet. Thanks for not letting me get away with it. I’ll be here until next time, getting over my self-inflicted BS and finally writing bravely in order to craft the manuscript that’ll make me vulnerable, that’ll seem impossible, that’ll take me over my last threshold.

If I’m giving myself permission to write bravely, I expect nothing less from the writers who query me.

I know that writing bravely is hard. Hire me as your book editor and I’ll give you feedback that’ll get you a little closer to crossing the threshold to authentic, vibrant writing.

Describing Emotions With Physical Cliches

Without further ado, here are the Four Horsemen of the Prose-ocalypse with regard to describing emotions:

  1. Eyes
  2. Hearts
  3. Lungs
  4. Stomachs
describing emotions, showing emotions in writing
She darted a menacing glance over her shoulder at the Four Horsemen coming for her lazy writing…

What do I mean? These four areas of the body are the well-worn favorites of writers everywhere when it comes to describing emotions of any kind. Count how many times you’ve seen the following (or similar) phrases.

Well-Worn Favorites in Describing Emotions

She darted a menacing glance over her shoulder.

He cast his eyes to the ground.

My heart clenched in my chest like a giant fist.

His heart knocked against his ribs like a caged bird.

She let go of a breath she didn’t realize she’d been holding.

Timmy gasped for air like a drowning man.

The sound of his raspy breathing was the only noise in the otherwise death-silent room.

A gnawing feeling radiated from her guts.

Acid roiled in my stomach, threatening to make an exit up my esophagus.

And on and on and on. Now, that’s not to say that describing emotions in this way is inherently bad. It’s not. But as writers, you should always be thinking about how to describe emotion in creative ways. There aren’t many areas of the human body that act as emotional centers. Eyes, hearts, lungs and stomachs are the four biggies. A lot of stuff happens at these hotspots as a character moves through the emotional character arc of a story.

Innovate How You’re Showing Emotions in Writing

But every time you’re showing emotions in writing with eyes darting, a heart clenching, breaths catching in throats or guts rumbling, just know that these Four Horsemen appear in almost every manuscript. It is your job to put a fresh twist on describing emotions and giving your readers new images (read more about how to write emotions in a story).

Just because you know everyone struggles with this problem and just because you want to easily jump to showing emotions in your writing doesn’t mean you can get complacent and fall back on the stuff I’ve outlined above.

I issue you a challenge and throw down the gauntlet! What are some fun ways you mix up describing emotions in your manuscripts?

Characters need to be believable and relatable in order to hook readers. Hire me as your book editor and we can hone in on your protagonist together.

Copyright © Mary Kole at Kidlit.com