There’s a fairly strong consensus out there that some editors are moving away from rhyming picture books right now. One reason for this, as I see it, is that picture books in general are evolving. They’re being acquired by younger editors, they’re being purchased by cooler parents, they’re becoming modern and… if I dare say… maybe even hip. Not all picture books, of course, because lists and houses have room for the traditional, beautiful picture book reminiscent of the good old days of yore. But there’s definitely been innovation, and that’s crucial to remember when you sit down to write yours.
Rhyming picture books — especially those written in rhyming couplets — take us back to more traditional picture book legacy. That’s not bad, per se, but with all the new styles and ideas hitting the shelves, the more traditional is becoming a more difficult sell. Here are some other reasons rhyming picture books are becoming less attractive to some agents and editors:
- They’re old hat. See above.
- Not everyone can write brilliant rhyme. And, in this market, it has to be brilliant, fresh, unique, imaginative, unexpected… No lazy or conventional rhyme will cut it.
- There also has to be a reason for the rhyme. Too many times, I feel like a manuscript’s rhyme is forced or dictates the story… that the author is making decisions based on which words would fit into their scheme, not based on which words would make the best possible storytelling sense.
If you’re considering writing a rhyming picture book, ask yourself this question: Why does it need to rhyme? If you answer: “Because that’s how a picture book goes” or “Because that reminds me of the books I read as a kid/to my children/to my grandchildren,” then that might not be reason enough.
One of the most compelling reasons to rhyme, in my opinion, is if you are an author who relishes playing with the language. It’s also a good thing if the rhyme is an integral part of the story. I read a book a little while ago that blew my mind with its dizzying, sprawling, complicated rhyme. If there was no rhyme in this book, there’d be no book! If you’re up to the challenge of writing truly astounding rhyming picture books in the current climate, definitely add BUBBLE TROUBLE (Clarion, 2009, by Margaret Mahy and illustrated by Polly Dunbar) to your bookshelf.

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Tags: 2009, Highly Recommended, Picturebook
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Mary, I read Bubble Trouble a few months ago. Like you, I was blown away by the mastery of it. In fact, my jaw dropped. My eyes widened and stayed that way until my son drifted off after a couple of pages. I don’t imagine it was out of boredom with the subject matter and delivery, but because the book was oh-so looong. (He’s only three, however.)
Do you have a post about writing picture books for adults vs. picture books for children? Some are true works of art, but leave my children flat. (The opposite can be true. My son loves Lisa Wheeler’s UGLY PIE and I didn’t expect him to.)
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Ode to the Mastery of Maggy Mahy
>( >( >( >( >( >( >( >( >( >( >( >
There is really nothing to it; any fool can learn to do it;
set the circumstance and tone and I’ll begin to make a rhyme:
chupacabra, llama, cow, orangutan or Eiffel Tower,
and I’ll crank out bloody kiddie books in half the stinking time:There were pickles in the spackle Daddy used today to tackle
Mommy’s honey-here’s-to-do list and he started in the loo;
When he saw the pickle spackle Daddy up and gave a cackle
and with relish he began to fill the cracks around the room…We were scared but didn’t panic, for the feel was so organic
that the antics of our dad were momentarily forgot;
Someone whispered the opunion that tomato and some onion
and you’d smell a Whopper every time you went to use the pot!Or how about: a pouter was our Eddie, and a shouter,
always pooching out his lip and slipping into louder mode;
When we asked him “Wha’samatter?” Eddie’d air a lung and shatter
all the glass and half the china in his Nana’s curio!If a narrative is needed that’s an easy thing indeed, it
isn’t hard to drag this drivel over eighty, ninety pages
– or a darkly comic novel that just like a Nabokov’ll
take ‘em totally by storm and leave ‘em laughing down the ages.When to rhyme with such perfection nets one letters of rejection
it is scanty consolation but it pleases one to think, some-
where’s a shady den of tricks where shifty agents get their kicks by
signing other authors’ royalties with disappearing ink.>( >( >( >( >( >( >( >( >( >( >( >
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Personally, I like to write rhyming picture books because I like to read rhyming picture books. I’m always on the lookout for clever, rhyming books to read to my kids. Thanks for the recommendation to check out!
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Another, more consumer-oriented perspective on picture books and rhyme (very irreverent, so beware if you are easily offended). http://deadspin.com/5889376/if-you-give-a-mouse-a-cookie-youre-fucked-10-tips-for-avoiding-terrible-childrens-books











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