As NaNoWriMo draws to a close, you’re no doubt thinking about revision. Let me address a question about it from DHE:
Lastly, I’m wondering a bit about aspects about the revisions after getting an agent process, namely how much time is okay to spend on revisions. If someone has little free time and knows it’s going to take them awhile to get revisions done, is that troublesome or is that okay?
My answer is going to apply just as much to people who have an agent as it will to people who are still looking. Whenever I visit a conference, I always get asked questions about revision. In essence, how long is it okay to revise. Should you rush just because you want to get out on submission or because an agent/editor requested the work. Etc.
In terms of the latter question, I’ve addressed it here. In essence, I prefer a slow-cooked, gourmet meal to fast food. No writer should ever sprint on my account, and I want to reiterate that here. Just because someone asks to see more work doesn’t mean you should dash off and hurry to show them subpar, rushed work. That just doesn’t make sense. If more time will let you turn around a stellar revision, by all means, take the time.
There’s also the issue of the nature of your revision. I’m sad to say that I’ve parted ways with more clients on the issue of revision than I have on any other grounds. When an agent takes on a writer, they see the work in front of them but that’s it. They can hear the writer’s ideas for future projects, they can guesstimate the writer’s writing and revision skills based on the manuscript at hand, but those are all just guesses. In my experience, a writer’s ability to revise is usually the biggest — and most important — mystery as a writer and agent embark together in their relationship.
Some writers I’ve taken on have turned out great revisions and sharpened their editorial skills. Others have floundered, turned out hasty revisions, failed to go deeply enough into the work, etc. Sometimes, it is possible, as Ian in the comments said, to revise a manuscript to death. It happens when you stare at it too hard — or not hard enough — and cut out all the voice, the freshness, the spontaneity of the thing. This usually happens when you’re in too much of a hurry to just turn it around and get published now now now now now now now.
Here are more thoughts on the issue of quality in revision to round out these thoughts. First, an answer to the question of “How much revision is normal?” Next, a reminder about the Million Bad Words. In essence, you have to revise more than you think. Then put it away. Then come back to it in three months and revise again. I find writers often have the problem of too little revision, not too much. It is possible to become completely sick of your manuscript or hack out your frustrations on it. If that’s the case, I’d try cheating on it with a new project. That spark and excitement of working on something new could easily answer the question of whether you should go back to your old manuscript at some point for another or put the old ball and chain in the drawer for good.