Are you asking yourself the wrong character questions? Perhaps this is a contrarian approach to character development, but I don’t care what your character’s favorite flavor of ice cream is. I don’t necessarily want to know what sport they played, or what their spirit animal is (unless these factor into the plot, of course). A lot of character development that writers are coached to do doesn’t really translate into great story. So what character development questions should you focus on? Keep reading to find out.

Why Ask Character Questions?

A lot of writing books suggest getting to know your characters. Act like you’re interviewing them. Ask them questions. This, the logic goes, will lead to deeper and more nuanced character.

But you have to ask the right character development questions! I have seen spreadsheets that writers have created of a character’s hometown, favorite TV show, etc. None of these things move the needle. A key part of writing character, in my opinion, is creating vulnerability. Inner struggle is crucial to character and story. Those are the deeply human elements that are going to reel your readers into the heart of your characters and stories. If you’re not asking these types of questions, it’s never too late to start.

Things to Consider When Writing Character Development

Here is a list of character development questions I wish more writers would ask their characters or about their characters:

• What is your deepest conscious desire?
• What is your deepest unconscious desire?
• What, if anything, is preventing you from achieving either of the above?
• What do you want from yourself?
• What do you want from other people?
• What, if anything, is preventing you from achieving either of the above?
• What’s your most positive and supportive relationship?
• Is there any conflict to it?
• What’s your most negative relationship?
• Is there any positivity to it?
• If there were no obstacles, what is one thing you would do in a heartbeat?
• What obstacles (internal and external) are preventing you from doing that?
• How do you feel about yourself on a good day?
• How do you feel about yourself on a bad day?
• What does an ideal life (referring to the character’s own life and situation) look like, to you?
• What does an ideal world (referring to society at large for the character, his or her loved ones, and people in general) look like, to you?
• What three experiences from the past defined you in the present?
• Where do you see yourself in three months? One year? Three years? Ten years?
• What is the inner wound or inner struggle that keeps you up at night?
• What is your ugliest side? How do you manage it? Does it ever overtake you?
• What is your most noble, best side? How do you encourage it? What’s keeping it from shining more often?
• What does it feel like to you when you’re stressed? Bored? Angry? Proud? Happy? Excited?
• Is there any friction between how you see yourself, and how others see you? If so, what is preventing you from closing that gap?

These questions aim to address a few crucial (I believe) components of character development: What are the inner struggles? How does the character deal with adversity? How do they see themselves in their mind’s eye and in relation to others? How do conflicts and tensions affect them?

The rest of the decisions you make about their favorite subject in school and what kind of cake they like … those are fun but fluffy. Here, I aim to drill down to the very real. Why? Because these are the relatable things that your readers will connect to on a deeper level.

What to Actually Use

One big mistake I see is that writers do all of this character development, and then shoehorn all of it into their manuscripts. They can’t bear to leave any behind. But some of those spreadsheet ideas need to stay in the spreadsheet. The purpose of doing any kind of “getting to know you” work with your character is that you sit down and do the work. You get to know them. You plan them out.

Invariably, some of that work will end up on the “cutting room floor.” It’s for you, it’s not for the reader. Though you’ve developed it, you don’t necessarily have to use it on the page. And you don’t want to be terribly overt with the answers to the above questions, either. Avoid putting these things on the page. Real people don’t walk around saying, in dialogue with others, “My childhood wound is that I wasn’t loved enough.” But if this is true, it drives a lot of their behavior anyway.

Think of it as homework, not necessarily something for the final product. Focus on what’s really important when it comes to character. Leave the rest for your spreadsheet.

If you struggle with character development, you might want custom, actionable advice from a novel editor. I can help take your protagonist, and therefor your story, to the next level.