If you are writing a manuscript with multiple POVs (points of view), ie: first or close third person narration through the eyes of different characters for different sections or chapters, how do you space them? Do they have to be evenly spaced throughout? Here’s a question that Kathryn sent in:
If I am doing a novel with a defined MC, but alternate between him and the supporting (but also very important) character’s POV, do I need to have this happen constantly? Because there are a few times in my book that I switch to ‘the girlfriend’s’ POV, but it isn’t like VAMPIRE DIARIES, for example where LJ Smith has each scene switch to a different character’s POV. Is this something that has to be completely consistent? Or can I put it in as needed?
This is a relatively easy question to answer. When writing from multiple POVs, you don’t need to lock yourself into any kind of scheme. A lot of people think, if they’re splitting the story between two POVs, for example, they have to alternate always POV 1, then POV 2, then POV 1 again. This isn’t always the case. If your two POV characters have almost equal “screen time” in the novel, maybe you can keep it that consistent, but there are no rules that say you have to.
Especially if your story has a MC and then the POV of a supporting character, you can use her when you need her. A few things to consider, though, for any manuscript where you alternate POV:
- Give us the first instance of the “other” POV pretty early on, so the reader knows to expect another POV throughout the story.
- Don’t go too long without hearing from your other POV characters. You don’t want us to forget that their voices are there and we will if you go for like 50-70 pages without changing POV.
- It’s all about balance. You don’t want to switch POV every 4 chapters at the beginning and spend 70 pages in one POV near the end. Make sure they’re somewhat evenly spaced, even if they’re not totally consistent.
Finally, one thing I would urge all of you to consider: do not include adult POVs in manuscripts that have predominantly kid or teen POVs. I’ve seen a lot of writers try this, and it never works that well, unless yours is a very specific type of story (and yes, I expect mentions of THE BOOK THIEF to pop up in the comments, but that is a very specific type of story, more on this later). Besides, a kid who is reading a book targeted to their age group is going to be SO BORED dipping into the head of their teacher, their parents, their minister, their librarian, their whatever. I’ve read manuscripts where we dip into Dad’s head while he’s fretting about the mortgage… his marriage… troubles with his manager at work… Yikes. A lot of adult writers want to reinforce to teen readers that adults have problems and to be more sympathetic to them. Probably because they’re raising teens at the time and feel unappreciated. This is not the way to help teen readers empathize because this type of moralizing usually doesn’t get published and reach teen readers. Even if they’re dipping into the head of the adult villain, it’s still not advisable to do this. You don’t want to alienate your reader, and adult POV does that more often than not. I see the adult POV issue most in fantasies and mysteries, so people writing in those genres, take extra caution.
Other than that, feel free to experiment. You’ll probably be rewriting a lot if you end up changing your mind but really nailing the balance of POVs is important. And, also, do keep in mind that you should vary the voice. If you have a few different characters providing their POV but they all sound the same, use the same words, use the same imagery, etc., then what’s the point of multiple POV? That’s what makes this technique very difficult.