There’s a little thing that writers do that bugs me: It’s called a frame. Basically, it’s everything around the necessary information that doesn’t really help your reader understand anything, it’s just superfluous. Here’s an exaggerated example to prove my point:
She saw with her eyes that there was an elephant standing impossibly in the castle’s ballroom.
Or you could simply say:
An elephant stood, proud, tall, and incongruous, in the middle of the castle’s ballroom.
Frames are everywhere. And they are all fat, so trim them. Every time you describe that your character saw, heard, felt, smelled, or tasted something, see if you can’t drill into the more essential information of the sentence and cut out the unnecessary words. Instead of, “He smelled the cakes fresh out of the oven and they filled the room with warm cinnamon,” focus on the latter half of the sentence to set the mood. (And kudos to you if you’re using all five senses in your writing, including taste, smell, and touch, which often take a backseat to sight and hearing!)
No matter if you’re telling your story in first person or third, you are basically saying, “This is what my character experienced” when you write a picture book or novel. There’s no reason to keep saying, “She experienced such and such,” which is basically what you’re reminding your reader of each time you use a frame. Simply get straight to the such and such. It’s a small trick (and therefore a short post) but it will make your writing that much leaner and cleaner.
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Tags: Description, Revision Trick
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Good pointers, I made some notes on my phone in my little revisions quick tips list. I wrote a story in first person present, which I’m not used to, and this stuff was scattered all over. I found it hard to get the perspective right without telling vs showing. Eventually, after it was pointed out to me by a test reader, I rewrote in first person past, and I have a much easier time distinguishing the “I heard him say…” type stuff.
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I call these character filters, and I’m constantly winnowing them out of my own manuscripts and the manuscripts I critique. We don’t need to filter the story through our POV characters; our readers will already assume that everything they’re seeing, hearing, or smelling is something the POV character is seeing, hearing, and smelling, too.
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Awesome post and great tip. I’ve been working hard to eliminate the frames in my MS and it really is stronger because of it.
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Seems like something that should be obvious, yet it isn’t – at least not for me! Thanks for the tip!
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I love the word superfluous. I have to use it frequently when grading my fourth graders’ papers.
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I am new to your site. Thanks for re-posting on Facebook. I’ll be checking
my work for the “frames”.










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