I’m not calling my editorial work boring. Not in the slightest! I am suggesting a specific revision technique to work on pacing. I call it the “Boring Edit.”
Now, I can give advice until I’m blue in the face, and I know that maybe only 1% of people will actually try it. For example, I routinely tell writers who are struggling with a manuscript to put it away for three months and THEN try revising it. So far, I’ve heard from maybe a handful of writers who’ve tried it. (They loved it, BTW. Just sayin’…)
Yet I still persist in giving advice! Because it’s good for you! (What a Mom thing to say.) This technique is especially useful if you’ve been told that your writing sags or slumps or stalls. I’m looking at you, Muddy Middle. There’s not much of a trick to it, it’s very simple. All that’s required is a printer and some marginal self-awareness. As you “edit,” you only have ONE task. Sounds great, right?
Here are your steps:
- Put your manuscript in single-space formatting. This is so you’ll be less tempted to scribble on it and line edit. Sure, it hurts the ol’ eyeballs, but we all have to suffer for our craft sometimes.
- Print it out and pick a time when you can read it as you would any other book. This works best if you have a few solid chunks of time to really kick back and sink into it.
- Start reading. Consciously avoid trying to edit as you read. Try and read it like you would any other book.
- Have a pen in one hand. The pen is NOT for editing.
- Look at your own mind as your read. Your one job is this: Put a check mark in the margin whenever you feel yourself starting to drift, mentally. If you start thinking about the grocery list, or what you’re doing this weekend or sinking into a mire of self-loathing about how crappy your manuscript is, or whatever, put a check. That’s it, that’s all. Don’t even analyze it, just put a check mark.
Awesome. Now you have a manuscript with some check marks in the margins. And what does all that mean?
These are the parts of your book that are boring.
I’m sorry. Someone had to say it. But we can’t all be brilliant for 250+ pages, especially in the early stages of crafting a manuscript. Scenes run long. We lose the point of what we’re trying to say. We get more excited about crafting wonderful prose than actually accomplishing any action. Objectives disappear and are replaced by banter that may or may not be witty. Plot points go into hiding. Or maybe you’re just trying to make your 1,667 words for the day because it’s NaNoWriMo. (I’m on to y’all…) It’s OKAY.
With this largely hands-off read-through, you are identifying the parts of your story that need work. That are, let’s face it, a little boring.
The most important take-away is that, if even you can’t focus enough to read it, you can’t expect a reader to slog through. Simple as that. You have a vested interest in this manuscript. Nobody else does. (Yet.) If you’re boring yourself, you need to take a long hard look at those places. Usually the culprit is too much thinking/talking and not enough action. I have tons of plot-related posts you can check out to help beef up in that respect.
So who’s with me? Who’s excited to do a Boring Edit?