Starting a Novel With Aftermath

Starting a novel with aftermath (the reaction to a big event) is hugely tempting. After all, writers are inundated with the advice to “show, don’t tell,” start with action, try raising the stakes, etc. etc. etc. It puts a lot of pressure on beginning a book!

starting a novel with aftermath, starting a novel, starting a chapter, writing a novel, beginning a novel, prologue, tension, stakes, beginning a book
Whoa whoa whoa, what happened here? Let’s take a step back…

Starting a Novel With Aftermath Is Jarring

The other day, I was working on an editorial project, and found myself not quite invested in the opening. I should’ve been — when you’re beginning a book, that’s prime real estate. And the novel beginning was a high-stakes trial. But there’s often a problem with stakes in writing: when they’re too high right off the bat, it’s harder for the reader to get emotionally attached. When we’re screaming about the end of the world from page one, the reader is trying to muster up an insurmountable level of caring.

So when this client project opens with a trial, the real issue is that the conflict is already behind us. There’s no time to fill in context, let the reader discover who the character is, or foster emotional connection.

The interesting deed is done, the problem has happened, and now we’re knee-deep in aftermath. So how should we look at starting a novel?

How to Begin a Novel

Instead of taking this dramatic approach when starting a novel (or writing a prologue that’s high stakes right from the get-go), think about the balance of action and exposition in writing. You want to present the reader with a compelling character who has a manageable problem. Donald Maass calls this “bridging conflict.” The problem is manageable enough that we’re not completely overwhelmed with high stakes. Nonetheless, the problem matters to the character. As a result, we start learning about the character and what their objectives, motivations, priorities, etc. are.

When we’re starting a novel here, instead, readers see your characters in the middle of this problem, trying to work through it. This is much more compelling than seeing them after the problem has already happened. We see them getting invested or emotional or upset. Our attachment to them grows. Then the initial problem is either solved, or it grows into the larger problem that’s going to carry the entire plot.

By this point, the reader should have an emotional foothold not only in the problem, but in the character, and as a result, the story.

Start Your Novel With Action…But Not Too Much

Without introducing a smaller problem and the character first, you’re going to have a hard time selling the reader on the major plot points you’ve cooked up. So when you’re beginning a novel, it’s ideal to start with action —  but maybe not too much action.

And as you layer in that action, make sure to layer in context about character. When we start with a trial, for example, I am much more interested in what happened, who did what, and most importantly, why the crime occurred. The dry legal procedural stuff? It’s near the bottom of my list. My curious reader mind wants all sorts of other fodder.

When you’re starting a novel, go where you think your reader wants to be. Court rooms are inherently full of tension, sure, but when you start in one, you’re trying to harness tension you didn’t earn with plot and character first.

Are you beginning a book? Do you need help nailing your novel beginning? Let me be an expert pair of eyes on your first pages. I’ve read tens of thousands of novel openings, and bring that experience to my editing services.

Learn to Love the Revision Process for Writing a Book

The revision process for writing a book can be extremely intimidating. I completely understand. There are some really great points in the comments about why this situation arises, but that doesn’t change the fact that writers are still often too intimidated by the editing process to give it the time it deserves. Read on.

revision process
The revision process is where the magic happens. It’s your opportunity to find the meaning and order in the messy jumble of your first draft.

There’s More to Writing Than Query Letters

I have a harsh lesson for you today about the revision process, my dear readers. Hear me out.

In the spirit of retrofitting my website with all the latest gizmos and gadgets, I’ve also been doing work behind the scenes on SEO (search engine optimization). It’s the art and skill of making websites more friendly to search engines and, ideally, pulling potential readers in off of Google by using keywords that relate to the site’s content. That way, you reach people who are searching for what you have to offer, and they get relevant content. It’s a win-win!

The sweet spot happens if you find keywords that are searched for a lot, but that aren’t terribly competitive. That’s where you find your opportunities to rank high in search engine results. I read a book about it, so I’m basically a pro now. Deal with it. 😛

Revising Your Writing

In reviewing some keywords, I came across the perfect example of why so many writing efforts fail. I feel like the smug spinster aunt for pointing this out, but just look at these two keywords, and the associated search volume. JUST READ THEM AND WEEP (I know I did):

revision process, creative writing, creative writing revision, revision, editing, editorial
You should be ashamed of yourselves, Googlers!

What’s this you’re seeing? These are two search engine keywords and their monthly associated search volume. Up to 30,000 of y’all are searching about how to do creative writing every month, and only 100 brave souls (or even fewer) actually want to know how to revise a novel!

I apologize for this scolding post if you’re right there with me on the revision train. For the rest of you, the revision train is leaving the station, and you better be on it!

This reminds of me of all the times I spoke at conferences. 9 out of 10 writers would ask about the fuh-reaking query letter. Rarely, rarely, and I mean every third or fourth weekend conference, would I get a craft question at a panel discussion. Or someone would approach me with an insightful writing concern. Were people falling all over themselves to ask me about the editing process? Nope!

It was all about queries. Queries! Those 300-word letters! Compared to your 70,000-word novels! This misdirected energy continues to surprise me.

Love the Revision Process

The revision process is where it’s at. Writing is actually in the rewriting. Once you’ve done the creative writing, there are so many wonderful things that happen during the editing process. Revision is where you find the shape of your writing, it’s where you tease out all of the rich thematic elements.

I can’t get enough of it. So this is a call to action and a plea from your dear friend MK. If your zest for writing ends as soon as you type The End on a manuscript, dig into this website and think about learning to love the editing process.

A literary agent’s slush pile is overflowing with manuscripts where the writer wrote and wrote and wrote and wrote and rev–nah, let’s just send it in! In the overwhelming majority of cases, these are not the manuscripts that get offers of representation.

How to Revise

If you’re stuck or just getting started with the editing process, take this tip: Put your manuscript away for a few weeks. (Ideally three months but nobody ever takes me up on this advice!) Once you’ve typed The End, your subconscious has gone into overdrive thinking of your story and all of its various elements. When you return to the page, you will actually be seeing it with new eyes.

It’s the easiest advice to give, but the hardest to follow. (Check out more revision techniques.) Are you up for taking the challenge and loving the revision process a little more with me this year?

If you really don’t know where to start with manuscript revision, hire me as your novel editor. I’ll give you a comprehensive, actionable, and inspiring map.

Writing About Feelings: What Do Feelings Feel Like?

If you’ve been on the blog for a while, you know that I talk a lot about writing about feelings and how to make it compelling. The word I use is interiority (thoughts, feelings, reactions).

writing about feelings, how to describe emotional pain
How to describe emotional pain: let readers know what your protagonist’s feelings feel like.

The Most Important Thing a Writer Can Do

I firmly believe that a writer’s most crucial job when writing fiction is to make the reader care. And writing about feelings in a way that’s authentic and relatable is one of the easiest and best ways to do this. But a lot of writers get tripped up with how to describe emotional pain.

In truth, a lot of writers aren’t very good at crafting genuine emotion. They might struggle with emotional writing or interiority in writing, or sink into violet prose.

This post was inspired by an editorial consultation I did last week. What I said really resonated with the client, and so I wanted to share it here. In this particular manuscript, the character was very angry. But the writer had written something long the lines of, “Her anger rose.” (I’m making up my own examples to protect client confidentiality, but it’s enough to give you the gist.) Basically, a flavorless telling description of anger.

And? So? How Do You Make the Reader Feel It, Too?

Okay. That’s a start in terms of how to describe emotional pain. But I’m not going to feel angry or relate to the character just because I see the word “anger” on the page. That’s not how it works.

So what I’m more interested in is what anger feels like to the character. Let’s call her Erin. Does Erin relish the warm rush of wrath? Is she looking forward to lashing out? Is she afraid of her own anger? Does she think fearfully of what happened the last time she felt like this?

When you’re writing about feelings with authenticity, you have to acknowledge that there’s so much more nuance to human emotion. “Anger” simply doesn’t cut it. An example of a rewrite would be: “Erin felt the anger rising and rushed to tamp it down. She couldn’t risk losing it again, not after last time, and the fight that got her suspended.”

Writing About Feelings: Add Context, Make It Fresh

Because we’ve all read scenes where characters feel angry. It’s familiar. What can you bring to the scene that’s new? Well, you are giving us a new character. With a new personal history. And new feelings about their feelings. Do you see how this takes the idea of feelings one level deeper?

What does anger feel like to your specific character? What experiences with anger are they bringing to the situation? My anger isn’t the same as your anger isn’t the same as your protagonist’s anger. (More tips about how to write emotions in a story.)

So instead of just saying “anger” and leaving it at that, I want you to really work at introducing layers when you’re writing about feelings. How do they feel about what they feel? What do those feelings bring to mind? You can call the feelings by their names, sure. As long as you don’t stop there.

If you struggle with how to describe emotional pain, hire me as your book editor. I’ll give your work a personalized, hands-on character critique.

Or try my book:

Taking Questions

Man ponders mysteries while writing with sandwich in foreground
I have so many publishing and writing questions, I haven’t even touched my sandwich!

So there’s a new look for the blog. And talk of videos. Helpful headings now break up the endless streams of text. Things are good in Kidlit land. But Kidlit wouldn’t exist without questions from dedicated blog readers. I have about 300 notes for blog post ideas that I’ve been sifting through, but I also want to be responsive to what you want to learn about.

So I’m Asking You…

What are your burning writing craft or publishing questions (or both)? I’m thinking of doing a video in the next few weeks of opening pages for novels. There are a lot of potential pitfalls in this area, and I know a lot of writers are endlessly curious about the topic.

So what might you want to know? I’ve put a blast out across social media and will answer my favorite three questions in an upcoming video post.

But don’t stop yourself there. What else do you want to know? What’s on your mind as you get into the swing of writing in 2017? How can I be of service and address some sizzling conundrums?

Leave your thoughts on first pages and/or any other questions in the comments. Click the handy bubble in the top right corner of this post. Thanks!

If you’re fine on the general front but have very specific questions about your WIP, I also offer private consulting services. Check out the link for my editorial website.

How to Write a Character

A lot of writers wonder how to write a character. I’ve been giving the following note a lot in my consulting work, and it’s a fascinating idea. Ideally, you are creating a protagonist who the reader relates to and wants to (bad publishing joke alert…) be on the same page with. But are you secretly undermining the all-important reader-protagonist relationship with your writing, or are you doing a great job with a believable character?

how to write a character, believable character
Look at this guy, he really doesn’t trust your protagonist…

It’s Your Word Against the Reader’s

As your reader, well, reads, they are creating impressions of your characters, your plot, your world, your writing style, etc. Ideally, they are discovering these impressions by reading your action-packed plot that is slim on telling.

So where is the potential problem? If the reader’s impression of anything in your story clashes with what you (or your protagonist) is insisting. This is the issue of believable character.

For example, imagine that you’re creating a protagonist that has nothing nice to say about their math tutor. They’re a show-off. And super rude. And nothing but trouble.

Except the young tutor on the page is … nice. She shows off a little bit, maybe, but she’s actually quite helpful and pleasant. So what’s the problem?

This situation actually drives a wedge between your protagonist and your reader’s impression of events. And in this conflict, your reader is going to side with…themselves. Now you’re left with an undermined protagonist, because the reader will always want to trust their own impression.

How to Write a Character With Credibility

Unless you’re working with a notoriously unreliable narrator and that’s a storytelling choice you’ve made, make sure your protagonist is someone the reader can align with. If the protagonist hates the math tutor, the math tutor should be hateable. Maybe not in a way that makes them a caricature (rather than a well-rounded character), but in a way that the reader can get on board with the protagonist’s opinion.

If the reader’s opinion and your protagonist’s diverge, make sure it’s for a good reason. The more clashes there are, the less relatable your main character will seem, and the less inclined the reader will be to trust them.

As a writer, your number one job when considering how to write a character is to make the reader care, and you have a lot more power over the reader’s emotions when you’re funneling it through a character who they like and relate to.

Think about the effect you’re creating.

If you wonder how your characters are coming across, and whether your characterizations are consistent with the reader’s impression, hire me for editorial services.

New Site, New Video Content!

Woohoo! I made a video, y’all! I was so inspired by my Facebook Live experience with WriteOnCon, which was super-duper fun, that I’m going to start shooting some of my blog posts out behind the woodshed… Just kidding! I’m going to start shooting some of them as videos. (The WriteOnCon video will be available to repost here in March, and I’m really excited to share it with you. It’s an hourlong Q&A about the craft of revision!)

What You’ll See Here

In this video, I’m talking about the recent changes to the website, the impetus behind those, and my passion for creating this content and sharing it with you, my lovely readers.

Why I Recorded This

I really want to get my old readers and new visitors excited about the site, which has been around since 2009. My hope is it’ll be around for many years to come. I can’t do it without you, though!

What’s Next?

Help me keep a good thing going. If you have any questions that you’d like me to answer, in a blog post, or a video, please post them in the comments below. Let me know if you like the new website format, too!

 

Pardon My Digital Dust!

Please excuse the slightly messy look of the blog that you might be seeing. After eight years (which is, like, forever in Internet time) with the same theme and design, I’ve decided to join my peers in the spiffy digital future.

My new blog theme is much more user-friendly and, best of all, mobile-friendly, very important these days, as people browse on all their various devices.

Website Frenzy

As you can probably tell if you saw my announcement about my freelance editorial site, MaryKole.com, I woke up this January on a mission: to revamp my online presence. But I’m a one-woman show. So there are going to be some bumps and hiccups and probably some things that look weird or don’t work. These are the growing pains of trying to be one’s own webmaster (with a little coding help behind the scenes).

Embrace this beautiful mess!  I’m sure I’ll have everything tuned up exactly the way I want it soon. In the meantime, enjoy the same great content you’ve come to trust from Kidlit.com as I work to make your experience even better!

Creating a Daily Writing Practice

One of my wonderful, intelligent blog readers wrote in with the following excellent question about creating a daily writing practice. I’m not trying to butter her up, I really think it’s a good question and it’s worded very well, with a nice citation and everything. Here we go:

For the past several months I’ve been revising a manuscript and querying agents. But while I’ve been doing this, I haven’t been writing. As you suggest, I put my manuscript in a drawer for several months and started working on a new manuscript. Now the new manuscript (which isn’t finished) is in the drawer. I also have another idea twirling around in my head. How do I balance my writing life? Kate DiCamillo says she writes two pages every day. But how does she do that when she’s in the throes of completing a project?

balancing your writing life, making time for writing, commiting to writing, daily writing practice, writing practice
To find balance in your writing life, just make like this rock..and roll. What a terrible joke. I’m so sorry…

Finding Your Commitment to a Daily Writing Practice

Most of us don’t walk around complaining about how much free time we have. Life is a busy thing. So how do you do everything you have to do, keep the bills paid, and still find time to write? I don’t have a definitive answer. I do have some thoughts, though. And I think you’re on to something in your very own answer, and with Kate DiCamillo’s advice.

There’s this old adage, “The harder I work, the luckier I get.” Writing isn’t going to fall into your lap, you have to go after it. And once you get into a daily writing practice, it’s much easier to maintain it and keep writing. So whether that’s two pages a day, or ten, or fifty (ha!), the number is irrelevant. The key piece of info is: “a day.” That means every day. When you’re sick, when you’re stressed, when the baby is cranky, you still do your daily writing.

If you need to wake up 30 minutes early? Or cut out those fifteen minutes that you spend absently browsing Facebook at night and replace it with writing time? Then that’s what you need to do. The key is, do it every day. Two pages a day sounds so insignificant that it’s not even worth it. But developing a daily writing practice? That’s really the secret (more on finding time to write).

Rotate Between Writing Projects to Maintain Momentum

The other advice is to rotate between projects, as you’re already realizing. There’s only so much you can do when you’re querying. You send out all those emails and then…you wait. That’s just part of the writing life. So instead of letting that waiting drive you crazy, put it away and work on something else for your creative writing practice.

And if you hit a wall with Project 2? Don’t let that writer’s block stop your daily writing practice. (Looking for some writing inspiration?) Put the new project away and start working on an outline for Project 3. Then Project 2 might call to you. Or you might receive feedback from an agent on Project 1.

By that point, you’ll have enough momentum to be more flexible about what actually happens during your daily writing practice. Should you write new pages? Revise pages that have been sitting in a drawer? (Check out important revision techniques here.) Sketch out some broad ideas for something that’s on the back burner? Your muscle memory, once a good daily writing practice is established, is going to get your butt into that chair. From there, you can let your creativity guide you to whatever needs to be done.

Make Your Life a Writing Life

The hard part really isn’t the writing, it’s making that space in your life that says, “Writing is necessary today.” Besides, you’d be amazed that two pages a day can turn into 700 pages in a year. That’s two novels! When I’m editing, I can provide notes on about 20 pages an hour. In two weeks, even if I work one hour a day, I’ll have that whole novel edited. Or if I can only work 15 minutes (or 5 pages) a day on revising something, it’ll take me two months, but that novel will be done. That’s all that matters. Every day, you’re making progress.

The wheels of publishing turn very slowly. Six months to write a novel, in the grand scheme of things, is NOTHING. Two months to revise a novel, in the grand scheme of things, is NOTHING. They say, “The best time to plant a tree is 20 years ago, the second best time is today.” You could commit to 15 minutes/two pages/whatever a day, and in six months, you’ll be a hell of a lot farther than you are today.

Or you could agonize about how you never have time to do anything and two pages doesn’t really seem like a lot and you’ve got analysis paralysis, etc. etc. etc.

So don’t worry about what the balance part will consist of once you’re actually working. Where you want to put your energy is making that work mandatory, and getting to the working place every day.

Wondering what to do with the results of your daily writing practice? Hire me as your developmental editor and I can give you actionable, motivating revision advice.

Submitting Multiple Queries to Multiple Agents

Recently, an editorial client of mine wrote in with the following awesome question about submitting multiple queries to multiple agents:

Is it ok to query two books at the same time to different agents? A novel and a picture book? An agent I want to work with is accepting queries for both picture books and novels. Is it ok to query the same agent with two different books? But I’d also like to send both projects to other agents.

This is a two-parter, so buckle your seat belts!

multiple queries to multiple agents, submitting multiple queries, sending more than one query at a time, querying multiple agents, literary agent submission
Thinking of lighting up New York City with your literary agent submission frenzy? Think very hard before querying multiple projects to the same agent, or multiple projects to multiple agents…

The two questions here are:

  1. Should I send two projects to the same agent?
  2. Should I query multiple projects at a time?

If you’re like my client, you have a lot of ideas in a lot of stages of development. You have a picture book here, a middle grade there, a YA up your sleeve, and maybe a few non-fiction pieces, just for the hell of it. You want them all to become real, live books yesterday. So how to do you proceed? Multiple queries to the same agent? Multiple queries to multiple agents? Or none of the above?

Submitting Multiple Queries to the Same Agent at Once

Should I send two projects to the same agent? No. Let them consider one project and respond before you send them something else. That’s just good etiquette. And based on their response, you might realize, “Hey, I have a better idea now of what they’re looking for,” or “Maybe they’re not the one for me.” If you’ve already sent another literary agent submission, you won’t be able to tailor that second letter to increase your chances.

Also, you might run the risk of scaring them off. If they haven’t yet gotten a chance to read Project 1, and Project 2 just hit their inbox, is Project 3 next? How many are there? Is this what you’ll be like to work with? Too much! Too soon! Aaah! That’s a melodramatic take on querying multiple projects, but you really will run the risk of the agent being put-off because it looks like you’re just fire-hosing all of New York City with a bunch of projects. They’d rather see a writer who is passionate and focused on one project at a time.

Querying More Than One Project at a Time

Should I query multiple projects at a time? Absolutely not. Let’s say the best case scenario happens. Watch how quickly it turns into the worst case scenario. In this day and age, remember, most agents represent more than one category. Sure, sometimes agents only represent novels. In that case, some of them will be fine with you having a picture book agent on the side. But some won’t be okay with you having another literary agent submission floating around out there. Keep that in mind.

Let’s say Agent A wants your novel and Agent B wants your picture book. But A represents both categories, while B only does picture books. You’ll have to tell them about one another at some point. When you do, I guarantee Agent A is going to ask you, “Why the heck didn’t you send me the picture book?” You run the very real risk of turning B off. You’ll immediately look like you were sneaking around behind their backs. I hope you can see how submitting multiple queries to multiple agents could turn into a mess very, very quickly. (Check out my post on having more than one literary agent for more on this topic.)

Multiple Queries to Multiple Agents is Too Much

FOCUS on one project at a time. Submit it. Hear feedback. Then you have two options: Revise that first project and submit it again, or put it away for a while and focus on the next project. Use what you’ve learned to make the pitch for your next project even stronger, then submit it when it’s truly ready. The take-away: ONE PROJECT AT A TIME, PLZ.

Everyone wants to rush rush rush through this process, but I’m here to tell you that if you have a need for speed, publishing is not for you. If you sold a book today (not gotten an agent for a book, SOLD the book), the earliest it’d come out is 2019. So, as the song says, “Take your time, do it right.”

Not only do I do manuscript editing, but I am also a publishing strategy consultant. If you’d like to talk your literary agent submission plans over and plan your next move in a sane and productive way, please reach out.

Marketing a Book: Life Post-Publication

Over the holidays, I received a great question from Jenny about marketing a book and book launch ideas. She makes the very valid point that there’s so much focus on life before publication, because so many writers are striving to take that crucial step, and then there’s, perhaps, a dearth of information about what happens after. Read on for Jenny’s question and my response.

marketing a book, book launch ideas
Hold yourself to the standard of doing some form of book marketing every day.

The Question

There is much information out there about the “publishing process,” what happens if/when you get “The Call,” and the time line of events that follow from contract to publication. I often find myself wondering what happens AFTER that. Should I be so lucky as to receive a contract for one of my picture book manuscripts, what would life look like for me, after the final product is ready to sell? You speak often of authors being required to become marketers to push their book once they are created. I can see where that is a crucial step, but what are the logistics of that? How much travel is involved? Are new authors flitting about, across the country selling their books? How much is accomplished electronically? What does ‘real life’ look like for a newly published author, trying to make a name for herself?

You’re Likely On Your Own When Marketing A Book

First of all, let’s dispense, for the moment, with the notion of an author flying around the country on “book tour.” In most cases, that is not going to be your reality because publishers are investing less and less in these brick-and-mortar-heavy book marketing strategies, especially for debuts. If you have the sort of book marketing plan that includes a book tour, you will be in the minority. And then you don’t have to worry about the logistics as much, because the level of marketing that includes a book tour will also include a support person on the publisher’s end to walk you through the finer details.

So let’s focus on book launch ideas that don’t involve a book tour. Sad, but true, you’re likely on your own. So here is what the life of a writer who has a book out (or is about to have a book out) looks like. There are two kinds of marketing you’ll be doing, passive and active.

Passive Book Launch Ideas

  • Setting up a simple informational author website for your book, series, and/or yourself as a writer. Most of the content here is going to be “set it and forget it.” You can add a blogging function, to be discussed later.
  • Set up a profile on GoodReads, flesh out your Amazon Author page, create a Facebook Page (rather than just your personal feed). The first two are rather static, the latter is more active. Make your book cover your profile image. (For more info, check out my post on social media marketing for writers.)
  • Create paper book marketing materials if you wish, postcards of your cover, etc. Have them at the ready.
  • Create ways of people online to message you (via your Facebook page, for example), put a contact form on your website, and set up a mailing list submission form that collects email addresses on your behalf. I use Vertical Response, for example. It’s not going to knock your socks off with responses right away, but you’re building your list, regardless.

Active Book Launch Ideas

  • Start being an active participant on publishing blogs, blogs specific to your book’s category (there’s a lively YA writing scene), Facebook pages (there are groups and communities for everything). When you’re active here, contribute to the conversations going on instead of just spamming people about your book.
  • Look for timely articles that have to do with your book’s category, or your book’s subject matter. Post these on your blog, on Twitter, on your Facebook page, and in your relevant communities.
  • Generate lists of contacts with youth librarians and bookstores with good children’s programs, starting in your area, and then branching outward. Your publisher may be able to help point you to resources for doing this. You can start reaching out by mailing those postcards you made. (More tips on marketing to libraries.)
  • In the same vein, talk to buyers and event planners at bookstores and literary festivals, universities, schools, etc. in your area. Pitch them something of value instead of just “an appearance from wonderful me!” Say your middle grade deals with a character who moves around a lot. Call schools and say, “I’d love to give a talk on Thriving in a New Place.” Or however you want to brand it. You’re more likely to get speaking opportunities if you have something to offer, instead of simply a sales pitch for you and your book.
  • Make connections with other writers who are being published around the same time, writers who you admire, and writers who are still looking to break in. They will be your allies and a great wealth of information, as long as you don’t just talk about yourself and spam them with sales messages.
  • Join and get involved with the SCBWI. They will often have authors speak or do workshops at regional conferences.
  • Reach out to journalists who have written articles about your book’s subject matter. Again, you should figure out what your hooks are. In the middle grade example, it’s that your character is an army brat and moves around a lot. That’s a topic you might be able to speak about. That’s a topic people might be interested in. So get on the radar of people who are writing about it. Offer yourself as an expert. It might seem weird to think of yourself that way, but once you’re quoted in one article, it becomes easier to get quoted in another one. Start small, with a blog or local website. From there, approach more journalists.

Plant Seeds Early and Often

These are some ideas for marketing a book for an author who’s about to be published or has recently been published. As you can see, a lot of this work isn’t going to pay off in obvious or immediate ways. By building a network of journalists, you aren’t going to get on the cover of Time next week. But the more seeds you plant, the more chance you have of something coming to fruition.

Ideally, you’re doing this a year before your publication date. Basically, as soon as you know that you’re slotted for Winter 2018, you start putting plans in place to do some of this stuff. You don’t have to do it all at once. And some days, you’ll have other things to do.

But you should hold yourself to the standard of doing some book marketing every day. Reply to a message that comes in via your website. Post something interesting from Twitter to the YA writer’s Facebook group. Craft a blog post. Send five emails to librarians in your area. Call and ask to speak to the book buyer at your local bookstore. Call the English department of the university that’s having a literary speaker series. Maybe it won’t pay off, but maybe it will.

Most importantly, you’re getting in the habit of marketing a book, and of selling subtly, and of positioning yourself as an author with something important to say, not just a book to hawk.

For more marketing ideas, don’t forget to check out the Book Marketing Power Bundle from Writing Blueprints. It’s a wealth of ideas and information. I’ve gone through the program myself and can’t recommend it highly enough. The money and time you invest in book marketing will only pay off exponentially in the long term, you just have to know what you’re doing, so you’re working smarter, not harder.

Hire me as your book editor so you have a strong project to market.

Copyright © Mary Kole at Kidlit.com