I’ve been seeing some query letters lately that state the obvious. It’s unnecessary. For example, you don’t need to waste your time writing any of the following:
I am querying you for possible representation of my novel.
I am writing to you because I would like representation from a literary agent.
Publishing a novel is my goal.
Etc. I’m an agent with a submissions pile. If I get an email to that inbox, I know exactly what it is, exactly what it’s doing there, and the exact intentions of the email’s author: to publish something with the aid of a literary agent. You really don’t need to waste the time or words and state the obvious.
Also, don’t give the agent instructions. For example:
Please read the following sample pages and reply if interested.
Contact me to discuss representation.
If interested, please reply and I will submit a partial or full manuscript.
This may be your first query, but it’s not my first time getting one, by any stretch of the imagination. If I’m interested in your project, I know exactly what to do. Leave tips and pointers out of your query as well and let me do my job. Instead of these inane and obvious phrases, do your query job and make me care about the character and plot, instead. That’s really the heart of the letter, and you can see my tips for doing just that here.
None of these little phrases are an automatic rejection, per se, but they do indicate to me — perhaps unjustly, but they do indicate it nonetheless — a lack of higher order logic or thought put into the query. So make sure you’re not sending that message.
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Tags: Slush
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Thank you for this post. I have also seen agents comment that they don’t want to be told something they said on the website/interview/etc. since they know what they said (i.e. I am querying you because you mentioned you are looking for a ghosts story, etc.). Do you feel the same way? How would you advise an author to personalize without falling into the trap of telling the agent what they said?
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I had only recently gotten back into querying agents (agents, as you know, are a tougher sell for reads than editors, but that was before every editor closed her door), and had been out of the loop for how query letters read in the 10′s, let alone the rise of the E-mail query–
As such, I’m still thinking in the old-school snail-mail query format, and all the Formal Letter phrases are still in my head: I keep reading other folks’ queries that start off with the plot sell in sentence One–”Billy is having his worst day ever”–and my reaction as reader, imagining the agent’s, is, “Um…would a ‘hello’ or ‘Dear Ms. Kole’ break the ice?”I’ve still got a bit of “stage fright” about jumping right into the Sell, and feel I should still show Business Etiquette and say “I have a 50k YA novel, and wonder whether you would be interested, etc.”–But is that just my mistake? Am I damaging my chances and making myself seem too dated/newbie, just for pursuing civilized courtesy?
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Thanks for such practical advice. My face is blushing as I realize that I almost always mention that I’m seeking your representation for my book in a query letter to an agent. I spend the most time on the top part of my query – what I like to think of my hook or lead.
I always just presumed that a line saying I was seeking your representation is akin to what many of us may write at the end. Thank you for your consideration. I’m happy to use that space in a query for something meatier.
Again, thanks! Linda
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Someone advised in a blog recently to always restate your ms is complete and available for them to request if interested. I added the necessary closing to my query and it just rubbed me the wrong way…It was just so obvious and it sounded repetitive, so I excised it. This post gives me confidence it was the right choice. Thanks Mary!
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Yes! Like Eric, I always felt it was almost a bit rude to just launch straight into the pitch but I did it anyway because I read that that was best. Once I’d started adding my really personalized bits it was easier somehow: pitch first, then why I chose agent X. Then it didn’t seem so impolite anymore AND I was making an effort to connect with the agent too.
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Thanks, but even so, I’ll second Amy’s question:
Choosing an agent to query is an even more personal decision than choosing an editor, as I’ll be happy with almost any editor, but an agent is a more direct and longer-term commitment–I never usually query an agent until I have a clear idea that they have a personal reader’s taste for ghost mysteries, or that they remember the MG stories they read growing up and aren’t just putting “YA” on their list to get another Twilight. For me, an editor with just bare-bones or no bio on their house page ends up at the bottom of my query list, as I simply don’t know where to stand with them–They’re as random to me as I would be to them.
And as Amy asked, I do want to put on my query that I made some real conscious effort to send a story to one agent who I belied had some personal connection as reader, if even that is a “newbie flag” or slush-pile annoyance, what am I left with? I may be trying to “get out of the slush pile”, but I’m also trying to get that first conversation started, and maybe some interest in the second submission if the first one doesn’t take. We hear a dozen “wrong” ways to write a query, but (apart from a few blogs) we never hear any “right” ways, and when we do, another three agents walk by and proclaim them “wrong” again.
Getting a query accepted may be “All about the writing”, but some of us in the submission trenches are a little more realistic than idealistic, and it’s too hard to sift through the conflicting information. -
This might be a ridiculous question, but why don’t more agents take queries via a web-based form? A web-based form is pretty easy to set up and would deliver everything in the format you want. The database could even purge inappropriate submissions (ahem, 300k novels).
Name of protagonist: ___________
Word count: _______
Genre: (select from dropdown menu)
I am: (check all that apply)
__ Eagerly awaiting your reply
__ Wearing out my refresh key checking email every 5 minutes
__ Considering resubmitting because I just found a typo
__ Hand-delivering a physical copy to your office, on rainbow paper
__ Outside your office window, being arrested -
I always say I’m requesting representation. I follow with my reasons why (ie: I like the agents blog, the books she represents, etc) Now I’m puzzled as to how to word the query.
For instance, I’ll say “I am querying you for possible representation of my novel because of your wonderful blog, and your amazing authors.” If we don’t say anything about representation, the query sounds akward.
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Some agents–a handful that I’ve seen–ask that the querier put whether he/she would like lifetime representation or just rep for one book. Is this information that I heard outdated or do you have a suggestion on this?
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Okay, so maybe we shouldn’t tell you that publishing is our goal, but what about worldwide domination? Or is that a show-don’t-tell sort of thing
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Clear points. It all revolves around man’s need for closure. We have to wind down verbal conversations as well. My answering machine simply says the phone number instead of instructing callers to leave a message after the beep. Some callers get confused.
Is it annoying if a query ends with something like – Please see the following X and Y pursuant to your submission guidelines or do you prefer, ending with the bio? Plus, isn’t it alright to give instructions on contact information, such as phone numbers in the last line?
Thanks, as always, Janie










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