There is a big distinction between writing tension and merely teasing the reader along. Unfortunately, a tease is not enough and doesn’t respect your audience. Here’s how to recognize if your scenes have enough tension, and how to fix it if you have a teasing issue.
Have you ever written this kind of tension in a story:
If only she knew then what she knew now, she would’ve done everything differently…
They enjoyed their ice cream, not knowing what was about to hit.
These are examples of a classic tease. Writers usually use this kind of language when nothing is going on in the present moment, but they want readers to tag along until something more exciting happens. This is a fine instinct–you know you need more story tension than you have, so you are trying to create it. However, it’s not the best approach. Read on to find out why, and how to create genuine reader interest by writing tension rather than relying on gimmicks.
Why Teasing Doesn’t Work
Teasing is especially problematic for middle grade and young adult fiction, because those novels tend to be very immediate. The character is in the moment, and there’s none of this, “I’m telling the story from the future, looking through the hazy sands of time.” When you resort to the “If I only knew then” ploy, that puts your actual character’s storytelling in some undetermined future and kills the tension in a story.
Sure, the reader may wonder what’s about to happen, but this is a short term fix to a moment that lacks other tension. It may not be enough. One or two sentences of teasing might give you a very temporary tension boost, but if you aren’t writing tension into that scene or chapter, it’s not going to be enough.
Even more problematic is the idea of teasing repeatedly. Every time you mention a tension-building event, it loses a bit of power. This may seem counter-intuitive, but it’s a simple application of the Law of Diminishing Returns. Redundant writing without actually putting the climactic event on the page (and soon!), readers will lose interest as the tease becomes more and more transparent. If you simply must build tension this way, try to add new information with each tease to keep readers engaged.
Writing Tension In the Present Moment
Ideally, you will be capitalizing on tension that is present in the moment that you’re writing. This is hard to do, because sometimes your moment doesn’t have a lot of tension. You know it needs more. You just don’t know how to create it. So you tease about the future. This often happens in chapters where there has been a lot of telling and the writer is eager to pick up their pacing.
This isn’t the answer you want, but it’s the real answer: writing tension into your moments, scenes, and chapters will automatically boost reader engagement. If you don’t have it, create it. Or maybe the moment you’re putting on the page isn’t working because there’s not a lot going on. Really analyze the moments where you’ve been using teases. Do they work? Is there more that can happen there? Can you create conflict via character? Maybe loop in other characters or bring in a secondary plot thread? Have a bigger world event happen to shake the characters up?
If the moment isn’t doing heavy lifting, you need to inject some. Ideally, you wouldn’t have a scene or chapter without capitalizing on tension that’s currently happening.
Conflict is the engine that drives plot forward. You should be creating tension on the page at all times, no matter what else is going on. That’s why exposition in writing — like big globs of worldbuilding, information, or backstory — tends to fizzle out quickly. Action is the easiest way to create tension in a story, whether it comes from something happening in your world or character conflict.
Teases are a cheap fix. If you really want to hook readers and keep them engaged, really invest in writing present moment tension.
Are you orchestrating the right amount of tension? Bring me on as your developmental novel editor and we can dig into your plot together.
4 Replies to “Writing Tension Instead of Teasing”
I would add that a tease promises important information the reader doesn’t know, whereas a great source of tension is showing the characters acting in ignorance of important information that the reader *does* know. (Obviously this is harder if your MS is first person, single-POV, but it can still be done…)
And the added danger is that a lot of times the event itself doesn’t live up to the tease. How often have you read books that promise much and deliver little? In that case the reader feels cheated and not likely to read any more of your stories.
I try to follow you’re advice , religiously.
Thanks for pointing this out. Writers are usually bursting with plot ideas and we cannot wait to share it. Less is more in this case.