As you know if you’ve read the blog for a little while, my favorite musician is Ben Folds. His band’s most recent album was called The Sound of the Life of the Mind. Not only is the title track my cell phone ringtone, but the idea of “the life of the mind” comes into play today.
In a lot of manuscripts, I’ve seen descriptions like, “My mind exploded with questions” or “He interrupted my train of thought with his voice.” There’s nothing technically wrong with these bits of narrative, but they fall onto the chopping block because of my aversion to filler. If the mind is exploding with questions, you don’t need to narrate that. Cut right to the interiority (thoughts, feelings, reactions) and the specific questions.
If someone is brought out of a meditative moment or otherwise interrupted, let’s get that in interiority instead of the simple description. For example:
Should I get the light-up pumpkins, or the little spiders? Gosh, Target is tough. Too much good stuff, but I can’t get it all. I wish I had more of a decorator’s eye. Maybe these sconces shaped like witch hats will redeem me. I’ve never done anything Pinterest-worthy in my life. How about this cauldron bowl for all the–
My husband looks at me like it’s not his first time trying to get my attention. “I think we have enough Halloween stuff.”
I can’t possibly figure out what inspired this excerpt. Certainly not a trip to Target over the weekend. But here we can see the train of thought interrupted in action, rather than narration. It would be superfluous to also include description of how I’m brought out of my thoughts, for example:
I’ve never done anything Pinterest-worthy in my life. How about this cauldron bowl for all the–
My husband interrupts my thoughts. “Sweetie?”
I’m still thinking about candy bowls when the fantasy comes to a grinding halt. “Huh?”
Here, the idea of being interrupted is pasted on so thick that it slows down the narration. As a bonus side note, let me remind you that you can also exterminate filler on the topic of interruptions in dialogue. There’s formatting to do that work for you. Use an em-dash to denote interruption. I’ve seen a lot of writers using an ellipse and narration, but there’s a much easier and cleaner way.
Before (less correct):
“I think we need more candy. What if a lot of kids…”
Todd interrupts me. “We don’t need more candy. We have ten bags already.”
“And what about pumpkins? Let’s line the driveway, and get one for each step, and–”
“You’re giving me a migraine.”
The em-dash successfully communicates the interruption. There’s absolutely no need to narrate it (“Todd interrupts”) because your formatting is doing all the work on your behalf. An ellipse, on the other hand, indicates a speaker who has drifted off instead of one who is abruptly cut short. For example:
“But I don’t want any of that…”
“Any of what?”
“The stuff, the spider…”
“Yes! No spider webs. We’ll be picking them out of the bushes until Thanksgiving!”
There you have it, some thoughts on filler, interiority, and interruptions! Happy (early) Halloween!